Jumat, 04 November 2011

God Is Great and I'm Not

  • Mich le (AMELIE s adorable Audrey Tautou) is a 20-year-old tornado. With a bouncing, perfectly round Afro and a job posing for fashion photography, she boldly describes herself as a top model, though her miniature physical size and girlish grin reveals her subdued, searching interior. Overloaded with passion and personality, she seeks a way to channel her spirituality into an identity. Buddhism wo
Rob Bell ("Love Wins," "Sex God," "Velvet Elvis,") has declared Mr. Shore "awesome," and "a brilliant writer." Dan Savage ("It Gets Better") has called him "a wonderful writer," and written of his desire for all Christians to read his work. Tony Jones ("The New Christians") says, "John Shore is funny as hell and smart as hell."

Praise for "I'm OK - You're Not":

Finalist, San Diego Book Awards, Best Spirituality/Religion

“A lighthearted approach, with a serious mess! age” â€" The San Diego Union-Tribune

” …. Shore is a humorist whose work is more comedic than Donald Miller, and his appeal to Christians is more direct. Shore is preaching and teaching under the comedy, and he’s very effective as a critic and motivator. Shore turns evangelism upside down and engages in just enough hyperbole to effectively make his point…. Shore ends each chapter with sets of extended comments from unbelievers on what they want to say to Christians. Shore calls these sections “Ouch,” and that’s what they are. These unbelievers are articulate, thoughtful and way out in front of many Christians on the subject of love, respect and dialog…. Shore appeals to Christians to ponder the nature of love, the importance of honest and mature Christian character and how relationships with non-Christians really look. Shore speaks so much common sense, and skips so much Christian-ese and predictable rhetoric that some Christians will be offende! d immediately. Younger, thoughtful, humble Christians who know! somethi ng is very wrong will find Shore saying exactly what they’ve been thinking. This is a great book for a discussion group, and it has questions to stir up those discussions. If you let this book loose “in church,” however, the response may be explosive, which would be a lot of fun. … [An] Outstanding book to stir up thought and conversation. And a good book to show to a thoughtful unbeliever.” â€" Michael Spencer, a.k.a The Internet Monk, author of the bestseller, “Mere Churchianity.”

“A must-read not just for pastors, but for anyone who has a passion for the Gospel, yet lacks the ability to see the Church as others often see it. … Shore succeeds in presenting a viewpoint worthy of consideration and advantageous for the growth of outreach-focused believers.”â€" Outreach magazine

“John Shore is one of those rare writers who can make people laugh and think at the same time. Irreverently reverent, "I’m OKâ€"You’re Not" is a book per! fect for the times we’re in. Ministers should read a chapter to their congregations every Sunday. That would be the Christian thing to do, because John offers us compassionate laughter during a most uncompassionate and unfunny period of our nation’s history. Non-Christians will love this book, tooâ€"which proves John’s point.” â€" Richard Louv, author of the international bestselling books "Last Child in the Woods," and "The Nature Principal."

“Humorist and Christian writer John Shore presents "I’m OK â€" You’re Not: The Message We’re Sending Nonbelievers and Why We Should Stop," a frank discussion of a crucial flaw in modern evangelical movements â€" that they have come to resemble sales calls made during dinnertime, and as such are just as unlikely to achieve results. Emphasizing the concept that letter others experience God’s love is far more potent than simply telling them about it, I’m OK â€" You’re Not emphasizes the importance of list! ening to the Great Commandment above all. The Great Commandmen! t referr ed to is as spoken by Jesus Christ and recorded in the Bible: “Love the Lord your God with all your heart and with all your soul and with all your mind and with all your strength. Love your neighbor as yourself. There is no commandment greater than these.” Penned with gentle charm, Christian humor, love, and understanding, I’m OK â€" You’re Not deserves to be required reading for any Christian considering embarking upon an evangelical mission or career.”â€" Midwest Book ReviewRob Bell ("Love Wins," "Sex God," "Velvet Elvis,") has declared Mr. Shore "awesome," and "a brilliant writer." Dan Savage ("It Gets Better") has called him "a wonderful writer," and written of his desire for all Christians to read his work. Tony Jones ("The New Christians") says, "John Shore is funny as hell and smart as hell."

Praise for "I'm OK - You're Not":

Finalist, San Diego Book Awards, Best Spirituality/Religion

“A lighthearted approach, with a serious message”! â€" The San Diego Union-Tribune

” …. Shore is a humorist whose work is more comedic than Donald Miller, and his appeal to Christians is more direct. Shore is preaching and teaching under the comedy, and he’s very effective as a critic and motivator. Shore turns evangelism upside down and engages in just enough hyperbole to effectively make his point…. Shore ends each chapter with sets of extended comments from unbelievers on what they want to say to Christians. Shore calls these sections “Ouch,” and that’s what they are. These unbelievers are articulate, thoughtful and way out in front of many Christians on the subject of love, respect and dialog…. Shore appeals to Christians to ponder the nature of love, the importance of honest and mature Christian character and how relationships with non-Christians really look. Shore speaks so much common sense, and skips so much Christian-ese and predictable rhetoric that some Christians will be offended immediat! ely. Younger, thoughtful, humble Christians who know something! is very wrong will find Shore saying exactly what they’ve been thinking. This is a great book for a discussion group, and it has questions to stir up those discussions. If you let this book loose “in church,” however, the response may be explosive, which would be a lot of fun. … [An] Outstanding book to stir up thought and conversation. And a good book to show to a thoughtful unbeliever.” â€" Michael Spencer, a.k.a The Internet Monk, author of the bestseller, “Mere Churchianity.”

“A must-read not just for pastors, but for anyone who has a passion for the Gospel, yet lacks the ability to see the Church as others often see it. … Shore succeeds in presenting a viewpoint worthy of consideration and advantageous for the growth of outreach-focused believers.”â€" Outreach magazine

“John Shore is one of those rare writers who can make people laugh and think at the same time. Irreverently reverent, "I’m OKâ€"You’re Not" is a book perfect for the times! we’re in. Ministers should read a chapter to their congregations every Sunday. That would be the Christian thing to do, because John offers us compassionate laughter during a most uncompassionate and unfunny period of our nation’s history. Non-Christians will love this book, tooâ€"which proves John’s point.” â€" Richard Louv, author of the international bestselling books "Last Child in the Woods," and "The Nature Principal."

“Humorist and Christian writer John Shore presents "I’m OK â€" You’re Not: The Message We’re Sending Nonbelievers and Why We Should Stop," a frank discussion of a crucial flaw in modern evangelical movements â€" that they have come to resemble sales calls made during dinnertime, and as such are just as unlikely to achieve results. Emphasizing the concept that letter others experience God’s love is far more potent than simply telling them about it, I’m OK â€" You’re Not emphasizes the importance of listening to the Great Com! mandment above all. The Great Commandment referred to is as sp! oken by Jesus Christ and recorded in the Bible: “Love the Lord your God with all your heart and with all your soul and with all your mind and with all your strength. Love your neighbor as yourself. There is no commandment greater than these.” Penned with gentle charm, Christian humor, love, and understanding, I’m OK â€" You’re Not deserves to be required reading for any Christian considering embarking upon an evangelical mission or career.”â€" Midwest Book ReviewGOD IS GREAT AND I'M NOT - DVD MovieThe impossibly adorable Audrey Tautou (Amelie, Dirty Pretty Things) stars in this remarkably vivid portrait of a relationship. Michelle (Tautou), a fashion model, sets off on a spiritual quest in the hope of finding emotional balance. What she finds is a veterinarian named Francois (Edouard Baer, Alias Betty), whose ambivalence about being Jewish leads Michelle to study the faith and consider conversion. The plot sounds heavy, but God Is Great (And I! 'm Not) is actually a light, fluid movie that's as alert to the thousand tiny ways in which men and women miscommunicate and defeat their best intentions. Michelle's spiritual yearnings are questionable, yet Tautou captures her hunger for something more and makes it real, even if it may also be shallow. The movie stutters, slips sideways and back, and circles around--and in the end, says more about modern romance than a dozen Hollywood romantic comedies. --Bret Fetzer

Ceremony: (Penguin Classics Deluxe Edition)

The Judgment (The Rose Trilogy, Book 2)

Another Cinderella Story

  • DVD Details: Actors: Selena Gomez, Drew Seeley
  • Directors: Damon Santostefano
  • Format: Color, DVD, Full Screen, Subtitled, Widescreen, NTSC
  • Aspect Ratio: 1.78:1; Number of discs: 1; Studio: Warner Home Video
  • DVD Release Date: September 16, 2008; Run Time: 90 minutes
A "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays C! inderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surpr! isingly delightful film. --Tom KeoghA "modern" young wo! man of t he 16th century, Danielle (Drew Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)! Now you can relive this captivating, contemporary retelling of the classic fairytale. Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougr! ay Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom KeoghTake away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of th! ree daughters of a man (Jeroen Krabbé) who dies and leaves he! r fate i n the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom KeoghA "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her sc! heming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennan! t (who directed Barrymore in TV's The Amy Fisher Story)! , Eve r After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom KeoghIt’s musical. It’s magical. It’s Another Cinderella Story, the dancing ever-after fairy tale. In this joyous update, Selena Gomez(The Wizards of Waverly Place) is Mary, a modern Cinderella complete with dancing shoes instead of a glass slipper. Drew Seeley (High School Musical) is Joey, a Prince Charming and dreamy new-guy-in-school looking for a girl to love. Could Mary be that girl? With your kind of music and dance, your kind of romance and all kinds of surprises, you’ll find that Another Cinderella Story is a perfect fit.Another Cinderella Story adds a f! ew modern day twists to the classic fairy tale on which it is based, and it aims straight for the hearts of 21st century tweens. Selena Gomez (Wizards of Waverly Place) plays Mary, a shy high-school student saddled with a wicked guardian and a pair of mean girls stepsisters. Her life changes dramatically when a famous pop star enrolls at her school. Joey (Andrew Seeley) is everything the rest of boys in her class aren'tâ€"handsome, kind, and desirable. At a masked dance, Mary and Joey meet and fall in like with each other. But when she has to rush back home, she leaves behind her MP3 player, which becomes the only clue Joey has to find the girl of his dreams. Gomez, who shows nice range, is well-cast in the ingénue role. While indeed very dreamy, Seeley is a tad too old to play Gomez's boyfriend. Another Cinderella Story isn't the best-made Cinderella story. Drew Barrymore's Ever After was more clever. And the 1965 adaptation of Cinderella starr! ing Lesley Ann Warren still stands up to time. But with its yo! ung cast and energetic choreography, Another Cinderella Story is a perfect fairytale for the tween and young teen set. --Jae-Ha Kim

POV: Lost Boys of Sudan

  • Winner of an Independent Spirit Award and named Best Documentary at the San Francisco International Film Festival, Lost Boys of Sudan follows two teenage Sudanese refugees on an extraordinary journey from Africa to America, offering a gripping and sobering peek into the myth of the American Dream. In the late 80s, Islamic fundamentalists in Sudan waged war on the country s separatists, leaving beh

An award-winning, critically acclaimed film, narrated by Nicole Kidman, God Grew Tired of Us explores the indomitable spirit of three "Lost Boys" from the Sudan who are forced to leave their homeland due to a tumultuous civil war. The film chronicles their triumph over seemingly insurmountable adversities and a relocation to America, where the Lost Boys build active and fulfilling new lives but remain deeply committed to helping friends and family they have left behind.

Orphaned b! y a tumultuous civil war and traveling barefoot across the sub-Saharan desert, John Bul Dau, Daniel Abol Pach and Panther Blor were among the 25,000 "Lost Boys" (ages 3 to 13) who fled villages, formed surrogate families and sought refuge from famine, disease, wild animals and attacks from rebel soldiers. Named by a journalist after Peter Pan’s posse of orphans who protected and provided for each other, the "Lost Boys" traveled together for five years and against all odds crossed into the UN’s refugee camp in Kakuma, Kenya. A journey’s end for some, it was only the beginning for John, Daniel and Panther, who along with 3800 other young survivors, were selected to re-settle in the United States.

God Grew Tired of Us is as much about America as it is about Africa. The moving documentary begins in war-torn Sudan with the mid-1980s exodus of 27,000 Christian boys, most between five and ten. After their arrival in Kenya, the UN steps in with aid. Directors Christ! opher Quinn and Tommy Walker pick up the story a decade later,! narrowi ng their focus to Panther, John, and Daniel, three of 3,800 given the opportunity to resettle in the US. Quinn and Walker are with them when they land in the States, where everything is new and exciting--electricity, running water, pre-packaged foodstuffs--all the things Americans take for granted. Through the assistance of various relief organizations, their expenses are covered for the next few months. After that, the trio is expected to provide for themselves (they're older than the subjects in 2003's The Lost Boys of Sudan). Divided between Pittsburgh, PA and Syracuse, NY, the young men are thrilled with their suburban lives. Over the next year, however, joy turns to sorrow. They miss their families and have trouble making connections beyond their social group. The directors document another two years, by which point things are finally starting to look up. Produced by Brad Pitt, God Grew Tired of Us won the Documentary Grand Jury Prize and Audience Award at! Sundance. Nicole Kidman provides a little narration, but for the most part, the Lost Boys speak for themselves, which is exactly as it should be. --Kathleen C. Fennessy"Lost Boy" John Bul Dau’s harrowing experience surviving the brutal horrors of Sudanese civil war and his adjustment to life in modern America is chronicled in this inspiring memoir and featured in an award-winning documentary film of the same name. Movingly written, the book traces Dau’s journey through hunger, exhaustion, terror, and violence as he fled his homeland, dodging ambushes, massacres and attacks by wild animals. His tortuous, 14-year journey began in 1987, when he was just 13, and took him on a 1,000-mile walk, barefoot, to Ethiopia, back to Sudan, then to a refugee camp in Kenya, where he lived with thousands of other Lost Boys. In 2001, at the age of 27, he immigrated to the United States. With touching humor, Dau recounts the shock of his tribal culture colliding with life in Ameri! ca. He shares the joy of reuniting with his family and the cha! llenges of making a new life for himself while never forgetting the other Lost Boys he left behind.No Description Available.
Genre: Documentary
Rating: PG
Release Date: 4-MAR-2008
Media Type: DVDGod Grew Tired of Us is as much about America as it is about Africa. The moving documentary begins in war-torn Sudan with the mid-1980s exodus of 27,000 Christian boys, most between five and ten. After their arrival in Kenya, the UN steps in with aid. Directors Christopher Quinn and Tommy Walker pick up the story a decade later, narrowing their focus to Panther, John, and Daniel, three of 3,800 given the opportunity to resettle in the US. Quinn and Walker are with them when they land in the States, where everything is new and exciting--electricity, running water, pre-packaged foodstuffs--all the things Americans take for granted. Through the assistance of various relief organizations, their expenses are covered for the next few months. After tha! t, the trio is expected to provide for themselves (they're older than the subjects in 2003's The Lost Boys of Sudan). Divided between Pittsburgh, PA and Syracuse, NY, the young men are thrilled with their suburban lives. Over the next year, however, joy turns to sorrow. They miss their families and have trouble making connections beyond their social group. The directors document another two years, by which point things are finally starting to look up. Produced by Brad Pitt, God Grew Tired of Us won the Documentary Grand Jury Prize and Audience Award at Sundance. Nicole Kidman provides a little narration, but for the most part, the Lost Boys speak for themselves, which is exactly as it should be. --Kathleen C. FennessyThis unforgettable book is the first-person account of a miracleâ€"indeed, a whole series of miracles. A tale of suffering, tragedy, and sorrow redeemed by indomitable resolve and a stubborn refusal to despair, it's set in a Sudan shadowed ! by unrelenting war and ruthless violence, yet illuminated by f! aith, ge nerosity, and steadfast commitment to the human spirit's finest instincts. It's also the eloquently plain-spoken self-portrait of a young man who has looked death in the face many times and come away with an inner strength as impressive as it is modest and a wisdom as inspiring as it is matter of fact.

One of the uprooted youngsters known as the Lost Boys of Sudan, John Bul Dau was 12 years old when civil war ravaged his village and shattered its age-old society, a life of herding and agriculture marked by dignity, respect, and the simple virtues of Dinka tribal tradition. As tracer bullets split the night and mortar shells exploded around him, John fled into the darknessâ€"the first terrified moments of a journey that would lead him thousands of miles into an exile that was to last many years.

John's memoir of his Dinka childhood shows African life and values at their best, while his searing account of hardship, famine, and war also testifies to human resilien! ce and kindness. In an era of cultural clashes, his often humorous stories of adapting to life in the United States offer proof that we can bridge our differences peacefully. John Bul Dau's quiet pride, true humility, deep seriousness, compassionate courage, and remarkable achievements will take every reader’s breath away.Directed by Laura Waters Hinson and narrated by Mia Farrow comes the award-winning documentary of two Rwandan women who struggle with the face-to-face encounter with the men who slaughtered their families during the 1994 genocide. These women and men speak for a nation still wracked by the grief of a genocide that killed one in eight Rwandans. Overwhelmed by an enormous backlog of court cases, the government released 50,000 perpetrators back to the very communities they helped to destroy. Without the hope of full justice, Rwanda has turned to a new solution of reconciliation. Come experience through their eyes the journey from death to life through forgi! veness. Features: Narration by actress Mia Farrow, True s! tories t old by the Rwandans who lived through the genocide, Features music by Emmy award-winning composers: Lenny Williams and Chris Biondo, Widescreen format. Bonus Features: English sub-titles and narration, Closed Caption added, Region All perfect for international customers.(Drama) In April 1994, one of the most heinous genocides in world history began in the African nation of Rwanda. Over the course of 100 days, an estimated 800,000 people were killed in a terrifying purge by Hutu nationalists against their Tutsi countrymen. This harrowing HBO Films drama focuses on the almost indescribable human atrocities that took place a decade ago through the story of two Hutu brothers--one in the military, one a radio personality--whose relationship and private lives were forever changed in the midst of the genocide. Written and directed by Raoul Peck, (HBO Films' Lumumba) the movie is the first large-scale film about the 100 days of the 1994 Rwandan genocide to be shot in Rwa! nda, in the locations where the real-life events transpired.

DVD Features:
Audio Commentary
Featurette
Photo gallery

A clear-eyed look at the Rwandan genocide is offered in Sometimes in April, a frank take on the 1994 slaughter that claimed upwards of 800,000 lives. Some overlap with Hotel Rwanda is inevitable, and this HBO feature does have similarities, but without the strong suspenseful storyline of Hotel. Its protagonist (the strong Idris Elba, from The Wire) pieces together the past tragedy from the perspective of a decade-later war-crimes tribunal, where his brother is on trial. It's hard to know which is less bearable--the depiction of atrocities, such as mass murder at a girls school, or the second-guessing of the international community, which largely stood by while the horror was unfolding. (Like Hotel Rwanda, this film zeroes in on the U.S. government's distinction that "acts of geno! cide" occurred in Rwanda rather than "genocide," a Joseph Hell! er-like absurdity.) The plain style of director Raoul Peck, shooting on location in Rwanda, works for the subject; his film Lumumba was also a direct, blunt account of a tragedy in Africa. The approach doesn't work as well in the U.S. scenes, which feature Debra Winger as a concerned official; these just look clumsy. But the subject itself remains worthy of close attention. --Robert HortonWinner of an Independent Spirit Award and named Best Documentary at the San Francisco International Film Festival, LOST BOYS OF SUDAN follows two teenage Sudanese refugees on an extraordinary journey from Africa to America, offering a gripping and sobering peek into the myth of the American Dream. In the late ‘80s, Islamic fundamentalists in Sudan waged war on the country’s separatists, leaving behind over 20,000 male orphans, otherwise known as "lost boys." For those who survived this traumatic ordeal and found their way to refugee camps, som were chosen to participate in a reset! tlement program in America--a distant place so presumably full of hope and opportunity that the Sudanese sometimes call it Heaven. But what if a free ticket to "Heaven" turned out to be anything but? Sidestepping conventional voice-over narration in favor of real-time, close-quarters poignancy, LOST BOYS OF SUDAN focuses on Santino and Peter, members of the Dinka tribe, during their first life-altering year in the United States. Safe at last from physical danger--but a world away from home--the boys must grapple with extreme cultural differences as they come to understand both the abundance and alienation of contemporary American life.Lost Boys of Sudan, which premiered on PBS's P.O.V. series in 2003, is a gripping documentary about young refugees from the Sudanese conflict as well as a moving story of survival and acclimation in a strange and daunting land. The film centers around two young Dinka tribesmen who must flee a vicious civil war in their homeland a! nd risk thirst, starvation, and animal attack to reach refugee! camps t housands of miles away in Kenya in Ethiopia. Once there, the "lost boys'" journey begins again, as they are resettled in Houston, Texas, and must start new lives in a completely alien country. Eventually, their adjustment to 21st century life becomes the film's main focus; can they join American society and still retain their tribal connections? Told in simple but powerful images, Lost Boys of Sudan affectingly addresses themes of home, acceptance, family, and what it means to be a member of societyâ€"-both America and the global community. --Paul Gaita