Minggu, 13 November 2011

Jason Voorhees/Friday The 13th. Final Chapter COF 10" Action Figure

    • Stylized, mean, and dressed to kill! Jason Voorhees is based on the hit Friday the 13th movie series!
    • Bring home a figure that's a cut above the rest!
    Once again, the twisted minds of Mezco have outdone themselves with their Stylized Jason Voorhees Figure, based on the Friday the 13th movie series!
  • Measuring 10-inches tall, this vinyl terror features a removable trademark hockey mask, 3 camper-killing weapons, real cloth clothing, and 14 points of articulation.
  • He's a cut above the rest!
FRIDAY THE 13TH:FINAL CHAPTER DE - DVD MovieAmateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humd! rum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew WrightDISC 1: FRIDAY THE 13th - The film takes place years after a young boy named Jason drowns in a lake while attending Camp Crystal Lake and shortly thereafter, the camp closes. Flash forward to the present, where the owner decides to re-open the camp and one by one, the counselors have mysteriously been murdered by an unseen person. PART 2 - The second installment picks up with Jason Voorhees, presumed dead from drowning years ago, exacting revenge on the innocent campers at "Camp Blood." Living as a hermit in the woods all these years, Jason witnesses the graph! ic murder of his mother and decides to wreak havoc on everyone! at the camp - killing each camp counselor one by one. DISC 2: PART 3 - Vacationing teenagers take off for a weekend of relaxation at Camp Crystal Lake. Planning a few days of sex, drugs and rock-and-roll, they are in for a series of frightening surprises when a local motorcycle gang follows the teenagers back to their campsite, only to find a persistent Jason with an agenda of his own. Adorned with his trademark hockey mask for the first time in the series, Jason delivers non-stop chills and thrills as everyone on the lake must fight for their lives. Part III includes cast commentary by author Peter Bracke and actors Larry Zerner, Paul Kratka, Dana Kimmell and Richard Brooker. PART IV: THE FINAL CHAPTER - Jason resurfaces from a seemingly deadly massacre and returns to Camp Crystal Lake to a new set of prey. Starring a young Corey Feldman as Tommy Jarvis, it seems Jason has finally met his match in the 12-year old horror movie maven. Enlisting the help of a local hunter, Tommy! and his sister must rely on one another to help defeat Jason, while also trying to avoid their own demise. DISC 3: PART V: A NEW BEGINNING - With Jason dead, someone new has begun a killing spree of their own, using Jason's M.O. and preying on inhabitants of a sanctuary. PART VI: JASON LIVES - Tommy returns to the grave to ensure that Jason is indeed dead. Instead of remaining dead, Jason is accidentally brought back to life by Tommy and now Tommy must stop all the mindless killing and make sure Jason dies for good this time. Part VI features commentary by director Tom McLoughlin. DISC 4: PART VII: THE NEW BLOOD - The film centers on Tina Shepard, a young girl with telekinetic powers who believes she drowned her father in Crystal Lake. Returning to the site as a method of supposedly helping her cope with her grief, Tina accidentally frees Jason from his watery grave, only to lead to more killing sprees by the man in the infamous hockey mask. Part VII features commenta! ry by Kane Hodder and director John Carl Buechler and Part VII! I featur es commentary by director Tom McLoughlin. PART VIII: JASON TAKES MANHATTAN - A graduating class of a local high school vacation on a cruise ship and unbeknownst to them, Jason is a stowaway on the same ship. Slowly killing students one at a time, Jason eventually sinks the boat, stranding the few lone survivors in Manhattan. Among those survivors, is Rennie, who believes Jason attempted to drown her as a child. Fighting for her their lives, Rennie and the other survivors must make sure Jason dies once and for all. A featurette "Tales From the Cutting Room," in which exclusive deleted scenes and footage is revealed for the first time. An 8-part featurette "The Friday The 13th Chronicles," which looks at the legacy of the films throughout their history, featuring cast and crew commenting on each film and why they appeal to audiences. Includes Adrienne King, Amy Steel, Corey Feldman, Kane Hodder, Lar Park Lincoln, Betsy Palmer, Tom Savini and directors Sean Cunningham, To! m McLoughlin, Rob Heddon, Joseph Zito and John Carl Buechler. A 3-part featurette "Secrets Galore Behind The Gore," which looks at the work of master make-up effects designer Tom Savini in Part 1 and Part IV and John Carl Buechler in Part VII. Includes rare and never-before-seen footage, drawings and stills illustrating the make-up techniques used to create Jason and achieve elaborate death scenes. A featurette "Crystal Lake Victims Tell All!" in which cast and crew from various films share amusing anecdotes. Includes Corey Feldman, Larry Zerner, Adrienne King, Amy Steel, Lar Park Lincoln and directors. A featurette "Friday Artifacts and Collectibles," which looks at props and collectables from the films. The theatrical trailers from all 8 movies except Part VI, which is represented by the teaser trailer.Five discs gather the first eight movies in the Friday the 13th series, plus a batch of behind-the-scenes featurettes. You can track the rise, fall, and endless re! surrections of Jason Voorhees, from the original 1980 film to ! Jason's self-kidding trip to the Big Apple. Horror fans eat up packages such as this, but there's something odd about the deluxe treatment for a series that spotlighted atrocious acting, pitiful production values, and inane storytelling.

You'll spot a few future "name" actors in various installments: Kevin Bacon is morbidly dispatched in the first one. But in general, the dominant focus is how to kill horny teenagers, most of whom have gathered at Camp Crystal Lake in the misguided belief that the curse of the impossible-to-kill Jason has worn off. The first movie has a certain raw, crummy ability to shock, Part 2 is a dismal retread, and Part 3 actually features interesting use of 3-D, which doesn't translate to its flat DVD version. The fourth is boldly subtitled The Final Chapter, and we all know where that went, but it does have Crispin Glover doing a funky dance. A New Beginning and Jason Lives continue Jason's bad mood, maybe because ! the hockey mask doesn't fit right. The seventh chapter, The New Blood, stakes Jason against a worthy opponent (Crystal Lake's answer to telekinetic Carrie), but the result is the same. Part 8's subtitle, Jason Takes Manhattan, is wittier than the movie itself, as Jason menaces an unlucky cruise ship of high-schoolers bound for New York--where Mr. J fits right in.

Some of the films come with commentaries from directors or cast members, including heralded Jason performer Kane Hodder. Brief documentaries (ranging from five to 15 minutes) cover separate installments with amusing anecdotes, including interviews with Sean S. Cunningham, Tom Savini, and various actors. In another doc, actors speak of the fraternity of young actors who've been slaughtered by Jason over the years. A deleted-scenes section is skimpy and not very interesting, while the tricks of special-effects gore merit a film to themselves. It's a customer-savvy DVD box, even if the effect of wa! tching a bunch of this stuff together is a little dispiriting.! --Ro bert HortonHaving been revived at the hospital jason returns to crystal lake to meet more victims. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Kimberly Beck Wayne Grace Run time: 91 minutes Rating: R Director: Joseph ZitoAmateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew WrightAmateu! r butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew WrightOnce again the twisted minds of Mezco have outdone themselves with their new Stylized Jason figure. This 10 inch tall terror features a removable trademark hokey mask, three camper killing weapons, real cloth clothing, and fourteen points of articulation.

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See Kai Run Emilio Sneaker (Infant/Toddler),Two-Tone Brown,3 M US Infant

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The Fast and Furious 5 Step Organizing Solution: No-Fuss Clutter Control from a Top Professional Organizer

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The Heartbreak Kid (Widescreen Edition)

  • Rechargeable model, with FREE keychain!
Caution! High Voltage!

Electrician Sophie North felt as if she'd touched a live wire the first time she laid eyes on Tyler Barnes. That was to be expected, of course.

He had a heartbreaking grin, an incredible body and a thousand watts of cowboy charm. Half the women in Brody, Texas, were out to snag him. But Sophie was just passing through. And she'd sworn never to live her life at the mercy of her own passionate nature.

Nevertheless, every time Tyler came near her, her response was shocking. Which wasn't supposed to be happening.

Lightning was only supposed to strike once!More and more American children are emotionally hurt early in life and cannot form the relationships necessary to heal themselves. The cost to America as these children become adults is beyond estimation. This book takes a hard-hitting look at our society's key ! role in creating uncontrollable, unreachable young people and the no-nonsense steps we absolutely must take toward a genuine solution.Caution! High Voltage!

Electrician Sophie North felt as if she'd touched a live wire the first time she laid eyes on Tyler Barnes. That was to be expected, of course.

He had a heartbreaking grin, an incredible body and a thousand watts of cowboy charm. Half the women in Brody, Texas, were out to snag him. But Sophie was just passing through. And she'd sworn never to live her life at the mercy of her own passionate nature.

Nevertheless, every time Tyler came near her, her response was shocking. Which wasn't supposed to be happening.

Lightning was only supposed to strike once!Caution! High Voltage!

Electrician Sophie North felt as if she'd touched a live wire the first time she laid eyes on Tyler Barnes. That was to be expected, of course.

He had a heartbreaking grin, an incredible body and a thousand watts of c! owboy charm. Half the women in Brody, Texas, were out to snag ! him. But Sophie was just passing through. And she'd sworn never to live her life at the mercy of her own passionate nature.

Nevertheless, every time Tyler came near her, her response was shocking. Which wasn't supposed to be happening.

Lightning was only supposed to strike once!Studio: Paramount Home Video Release Date: 05/06/2008 Run time: 115 minutes Rating: RBen Stiller and the Farrelly brothers bring out the best in each other. In The Heartbreak Kid, Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment-phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobb! y and Peter Farrelly push Stiller away from his increasingly schticky "tense guy" persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core to what could just be a festival of raunch and absurdity (the movie features aroused donkeys, deviated septum jokes, and digitally-enhanced body hair, among other items of questionable taste). It only takes a quick comparison with Jim Carrey in Me, Myself & Irene or Jack Black in Shallow Hal to see what a surprisingly delicate balance that is. The Heartbreak Kid may not be quite as wildly sublime as There's Something About Mary, but it comes extremely close, with kudos to Akerman for her unrestrained nuttiness. --Bret Fetzer

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The Greatest Movie Ever Sold 15x21 Framed Art Print

  • High quality framed art print
  • Two inch wide black wood frame
  • In stock and ready to frame and ship
  • Custom packed for safe delivery
  • Satisfaction Guaranteed
First, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Sp! urlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels ! to São Paulo to take a look at their ban on outdoor ads: no b! illboard s or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyFirst, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Su! per Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo! to take a look at their ban on outdoor ads: no billboards or ! messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyOscar nominated, boundary pushing director Morgan Spurlock's POM Wonderful Presents: The Greatest Movie Ever Sold that looks with humorous insight into the world of product placement and marketing. Providing the soundtrack to this insightful and humorous documentary are a wide array of artist, including two originals tracks recorded specifically for the soundtrack, a spoken word piece from director Morgan Spurlock and a track entitled "The Greatest Song I Ever Heard" by the band OK Go, who isn't shy about their associations with brands and product placement.

The fascinating tale of Kubrick’s unfilmed masterpiece

Now available in an unlimited, single-volume edition!

For 40 years, Kubrick fans and! film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick’s "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick’s movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a tim! e when historical epics were out of fashion.

TASCHEN! ’s tri bute to this unmade masterpiece makes Kubrick’s valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick’s final draft is reproduced in its entirety.

The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the cre! ative process of one of cinema’s greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte.

*Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images*
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Hannibal Rising (Unrated Widescreen Edition)

  • In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the
(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by s! tarving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingâ€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsâ€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when H! annibal interacts with his sexy Aunt, Lady Murasaki (Gong Li).! When Mu rasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton
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Two Knotty Boys Showing You The Ropes: A Step-by-Step, Illustrated Guide for Tying Sensual and Decorative Rope Bondage

  • ISBN13: 9781931160490
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
"A play of depth as well as dazzle, intensely moving as well as thought-provoking and funny." --The Daily Telegraph

An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys' school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In The History Boys, Alan Bennett evokes the special period and place that! the sixth form represents in an English boy's life. In doing so, he raises--with gentle wit and pitch-perfect command of character--not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today.


In celebration of the BSA's 100th anniversary, Boy Scouts of America: A Centennial History is the official and definitive history of one of our nation's most influential and cherished organizations. Packed with stories of service and heroism, and brought to life through more than 1000 images from the BSA's archive, this treasure trove of American history is a must-have for millions of scouts, alumni, volunteers, and anyone interested in the making of a timeless American tradition.
When Two Knotty Boys, Dan and J. D., began teaching rope bondage together in 1999, they discovered that most people learn best when they're shown â€" close up, step by step, and repeatedly â€" how to tie basic kn! ots and combine them into bondage techniques. It is this learn! ing proc ess that they duplicate in this book. With the help of world-renowned photographer Larry Utley, they use over 750 photos and captions to explicate the soup-to-nuts techniques for turning great knots into great bondage that is safe, sensual, attractive, and effective. Readers can learn at their own pace, review whole techniques at a single glance, or even lay it flat on the table (beside their blindfolded partner) and follow along as they tie. Two Knotty Boys Showing You the Ropes appeals to those interested in improving the quality of their sex lives, not to mention aficionados of bondage and discipline/sadomasochism (BDSM), both curious newcomers and serious players alike.
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The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America

  • ISBN13: 9780375725609
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Trapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all the makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-an! d-blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detective Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brother Drew and Shyamalan, does an impressive job of keeping the action fluid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which ! doesn't elicit much hope for the rest of Shyamalan's Night ! Chronicl es trilogy, of which this is the first entry. --Paul GaitaTrapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all the makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-and-blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detecti! ve Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brother Drew and Shyamalan, does an impressive job of keeping the action fluid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which doesn't elicit much hope for the rest of Shyamalan's Night Chronicles trilogy, of which this is the first entry. --Paul Gaita

Erik Larsonâ€"author of #1 bestseller In the Garden of Beastsâ€"intertwines the true tale of the 1893 World's Fair and t! he cunni ng serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was built. His efforts to complete the project, and the fair's incredible success, ar! e skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. --John Moe
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