Live Free or Die Hard [Blu-ray]

• Condition: New
• Format: Blu-ray
• Widescreen

Bruce Willi stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his e! stranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre", epitomized by such films as Under Siege (" Die Hard on a ship"), Passenger 57 ("Die Hard on a plane" ), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of me! morable lines (among them "Welcome to the party, pal!" and of ! course " Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for. --David HoriuchiDie Hard
Bruce Willis stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.

Die Hard 2
Bruce Willis returns as the heroic cop who battles not only terro! rists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!

Die Hard 3
The third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.

Live Free or Die Hard
"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Will! is) delivers old-school justice to a new breed of terrorists w! hen a ma ssive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain")! . But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequen! ces. One year after the Nakatomi incident, McClane (Willis) is! awaitin g his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and give! s John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan kn! ows that this is when the assassins with foreign accents and h! igh-powe red weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franc! hise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiContains: *Die Hard *Die Hard Bonus Disc *Die Hard 2: Die Harder *Die Hard 2: Die Harder Bonus Disc *Die Hard: With a Vengeance *Die Hard: With a Vengeance Bonus DiscDie Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert ! killers, and with little help coming from outside, McClane has! to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both ! bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert ! Patrick as terrorists, and future politician and Law and Or! der actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass ! as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses. Live Free or Die H! ard uses some of the cat-and-mouse elements of Die Hard! with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiDisc 1: **"Die Hard" Widescreen Feature with optional Commentary by director John McTiernan and production designer Jackson DeGovia **Additional scene-specific commentary by special effects supervisor Richard Edlund **Subtitled commentary by various cast and crew **Branching version with the extended power shutdown scene **DVD-ROM - script-to- screen comparison

Disc 2: **"Die Harder"! Widescreen Feature **Directors commentary

Disc 3: **"Die Hard with a Vengeance" Widescreen Feature **Directors commentary

Disc 4 Bonus Disc: **Inside Look: LIVE FREE OR DIE HARD **Wrong Guy, Wrong Place, Wrong Time: A Look Back At Die Hard **The Continuing Adventures of John McClane Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), ! doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Veng! eance (1995), was again directed by John McTiernan and use! s a diff erent concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

The 2007 Die Hard Collection is a four-disc set that comes up short when compared to the previous six-disc Ultimate Collection , which is now out of print. That 2001 set had two discs for each film (plus, Die Hard was a Five Star Collection release). This set does away with all of the second discs, though it retains the features that were on the movie-only discs, including director! commentaries and the seamlessly branched version of the first film with a scene added back in. There's also a brand-new fourth disc, but it's pretty minor. "Wrong Guy, Wrong Place, Wrong Time" is a 40-minute retrospective of the original movie. Wide-ranging but rather dull, it collects interviews with director John McTiernan, cinematographer Jan De Bont, screenwriters Jeb Stuart and Steven E. De Souza, other crew, and actors Reginald Veljohnson, Hart Bochner, and William Atherton. Also from 2007, "The Continuing Adventures of John McClane" looks at the second and third movies in the series. It's a mere 13 minutes and only interviews the two directors, Renny Harlin and (in new and old footage) John McTiernan. Last, three trailers for the 2007 film, Live Free or Die Hard, make this set look like something that was released merely to have something on the shelves while the new film was in theaters. --David HoriuchiBruce Willis stars as New York City Detecti! ve John McClane, newly arrived in Los Angeles to spend the Chr! istmas h oliday with his estranged wife (Bonnie Bedelia). As Mclane waits for his wife's office party to break up, terrorists take control of the building. While the terrorist leader, Hans Gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In Die Hard, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the b! ond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody reporter. Exceptionally well directed by John McTiernan. --Tom KeoghJohn McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan know! s that this is when the assassins with foreign accents and hig! h-powere d weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise)! , good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

Beyond Live Free or Die Hard

Live Free or Die Hard on Blu-Ray

Top U.S. Box Office of 2007

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Stills from Live Free or Die Hard (click for large! r image)

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"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Willis) delivers old-school justic! e to a new breed of terrorists when a massive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for ext! ermination after they helped set up a "fire sale," a three-pro! nged cyb erattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --Davi! d Horiuchi

Stills from Live Free or Die Hard (click for larger image)

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Eye of the Beholder

• They say beauty is in the EYE OF THE BEHOLDER. Well, some things are better left unseen. Format: DVD MOVIE Genre: MATURE Rating: NR Age: 713079273434 UPC: 713079273434 Manufacturer No: CTV27343

Grayson Adams is living a double life in Victorian England. By day, he paints erotic pictures, by evening he attends the balls where eager mamas throw their virginal daughters at him, though he is merely the youngest son of a baron. Lately, however, he’s lost his muse, and wonders what it would be like to paint one of those virginal society misses.
Sarah Dusenberry is enduring her fifth season, and is tired of her mother pushing her toward a husband, when it’s clear no man wants her. Why can’t she just travel with a companion, lead the life of a well-off spinster? But her mother wants her to have the protection of a man and will not part with the funds Sarah needs for her dream of trav! el. In search of her own funds, she answers an ad for an artist’s model, never thinking of how she’ll be modelingâ€"or how much she’ll enjoy it.
Grayson becomes entranced with his new model and pursues her in society as he struggles to keep his distance in the studio. What will Sarah do when she learns the truth?
THIS BOOK CONTAINS EROTIC CONTENT.Grayson Adams is living a double life in Victorian England. By day, he paints erotic pictures, by evening he attends the balls where eager mamas throw their virginal daughters at him, though he is merely the youngest son of a baron. Lately, however, he’s lost his muse, and wonders what it would be like to paint one of those virginal society misses.
Sarah Dusenberry is enduring her fifth season, and is tired of her mother pushing her toward a husband, when it’s clear no man wants her. Why can’t she just travel with a companion, lead the life of a well-off spinster? But her mother wants her to have the prot! ection of a man and will not part with the funds Sarah needs f! or her d ream of travel. In search of her own funds, she answers an ad for an artist’s model, never thinking of how she’ll be modelingâ€"or how much she’ll enjoy it.
Grayson becomes entranced with his new model and pursues her in society as he struggles to keep his distance in the studio. What will Sarah do when she learns the truth?
THIS BOOK CONTAINS EROTIC CONTENT.Mary Peters despairs that she will never marry. At nineteen, she has no prospects of finding a husband, so she takes matters into her own hands and becomes a mail-order bride. When she arrives to Omaha, Nebraska to meet the man she's due to marry, he takes one look at her homely appearance and rejects her.

But fate has other plans for Mary. Dave Larson happens to be nearby and thinks she will make a good wife. Though she is stunned that someone as handsome and as kind as Dave would ask her to marry him, she accepts. She knows that this marriage will not bear the fruits of love. Love, after all, is! for beautiful women. Isn't it?Mary Peters despairs that she will never marry. At nineteen, she has no prospects of finding a husband, so she takes matters into her own hands and becomes a mail-order bride. When she arrives to Omaha, Nebraska to meet the man she's due to marry, he takes one look at her homely appearance and rejects her.

But fate has other plans for Mary. Dave Larson happens to be nearby and thinks she will make a good wife. Though she is stunned that someone as handsome and as kind as Dave would ask her to marry him, she accepts. She knows that this marriage will not bear the fruits of love. Love, after all, is for beautiful women. Isn't it?Ewan McGregor stars as The Eye, an isolated British intelligence agent. The Eye's current mission is to track Joanna Eris (Ashley Judd), a woman suspected of blackmailing the son of a senior British official. But Eris is far more than a blackmailer. she is a master of disguise, a frenzied murderer, a lost orpha! n and a mystery whose rage is as fierce as her beauty.This pro! blematic thriller boasts several inspired elements, especially intelligent, committed performances by leads Ewan McGregor and Ashley Judd, both of whom have become hot commodities. Fans should definitely investigate their incisive work here, even if McGregor and Judd's talents are ultimately cast into a lost cause.

Judd plays a black-widow serial murderer named Joanna, who is systematically seducing and killing men who, in one way or another, are outside the ordinary. (Among her victims is a blind mulimillionaire, played by Patrick Bergin, and a nasty loser portrayed, surprisingly, by Jason Priestley.) McGregor is on board as a British intelligence agent who happens to be following her. Referred to as "the Eye," McGregor's operative is a haunted man abandoned years before by his wife and daughter. His isolation is such that he holds imaginary conversations with the latter, and she advises him to take pity on Joanna and protect her even as she carries on with her monstrous miss! ion.

That's precisely what he does, at a distance, ushering in comparisons to Hitchcock's classics about voyeurism and obsession, particularly Vertigo and Rear Window. (Allusions to Francis Coppola's The Conversation are unavoidable as well.) But despite the great material (the 1980 source novel by Marc Behm was highly praised by The New York Times) and a fascinating cast (including Geneviève Bujold and k.d. lang), Eye of the Beholder bogs down in Stephan Elliott's often thoughtless, obvious direction. Elliott (Priscilla, Queen of the Desert) grinds down several members of the cast by insisting on dreary, one-note performances, and he makes a long movie seem even longer by telegraphing story twists and other developments long before they happen. Justice would be served if one could extract Judd and McGregor's appearances here and graft them onto a better movie, but so it goes. --Tom KeoghMary Peters despairs that s! he will never get married. At nineteen, she has no prospects f! or findi ng a husband, so she takes matters into her own hands and becomes a mail order bride. When she arrives in Omaha, Nebraska to meet the man she's due to marry, he takes one look at her homely appearance and rejects her. But fate has other plans for Mary, for Dave Larson, happens to be nearby and figures she will make a suitable companion to help him on his farm. Though she is stunned that someone as handsome and as kind as Dave would ask her to marry him, she accepts, realizing that this marriage of convenience will not bear the fruits of love. Love, after all, is for beautiful women. Isn't it? *This historical western romance is rated R.

Justice isn’t blind anymore.

True Destiny, Book 2

Travis Yardley-Rudiger deliberately stayed away from Jamie Grimm, desperate not to pull her into the petty war of wills between him and her grandfather, Oliver Grimm. Unfortunately the reemergence of Baldur and Loki and their claiming of Jamie’s sister J! ordan put her squarely in Grimm’s sights. Her torture at Grimm’s hands left Travis determined to claim and protect the woman he’s loved for yearsâ€"but first he has to find a way to break the news that Travis is actually Tyr.

Jamie keeps seeing the weirdest things. Flames in her sister’s eyes, for instance…even Travis’s entire body glowing. Then there are the recurring nightmares she just can’t shake. One thing is certain: Travis’s usual standoffish attitude has done an abrupt one-eighty. He’s even gone so far as to move with her into her sister’s condo while she convalesces. And when he reveals whoâ€"and whatâ€"he is, Jamie is left to wonder what the Norse God of Justice could possibly want with a crazy redhead with severe family issues.

As far as he’s concerned, it will be Travis’s pleasure to show her…

Warning: This book contains explicit sex, graphic language, a real blond god and a woman with reasons to have trust i! ssues.

Justice isn’t blind anymore.

True De! stiny, B ook 2

Travis Yardley-Rudiger deliberately stayed away from Jamie Grimm, desperate not to pull her into the petty war of wills between him and her grandfather, Oliver Grimm. Unfortunately the reemergence of Baldur and Loki and their claiming of Jamie’s sister Jordan put her squarely in Grimm’s sights. Her torture at Grimm’s hands left Travis determined to claim and protect the woman he’s loved for yearsâ€"but first he has to find a way to break the news that Travis is actually Tyr.

Jamie keeps seeing the weirdest things. Flames in her sister’s eyes, for instance…even Travis’s entire body glowing. Then there are the recurring nightmares she just can’t shake. One thing is certain: Travis’s usual standoffish attitude has done an abrupt one-eighty. He’s even gone so far as to move with her into her sister’s condo while she convalesces. And when he reveals whoâ€"and whatâ€"he is, Jamie is left to wonder what the Norse God of Justice ! could possibly want with a crazy redhead with severe family issues.

As far as he’s concerned, it will be Travis’s pleasure to show her…

Warning: This book contains explicit sex, graphic language, a real blond god and a woman with reasons to have trust issues.

The Eye (Ewan McGregor) is an intelligence agent whose current assignment is to track Joanna Eris (Ashley Judd), a woman suspected of blackmailing a senior government official. But the Eye soon learns that Eris is far more than a blackmailer. She is a seductive, shadowy master of disguise who is a frenzied murderer whose rage is as fierce as her beauty. As he follows her, he becomes fascinated with what he sees. Soon his surveillance becomes a deadly obsession. The closer he gets, the more intense the danger becomes. To catch her would be to lose her, so the odyssey continues until they find themselves on a perilous crash course.This problematic thriller boasts several inspired elements, especial! ly intelligent, committed performances by leads Ewan McGregor ! and Ashl ey Judd, both of whom have become hot commodities. Fans should definitely investigate their incisive work here, even if McGregor and Judd's talents are ultimately cast into a lost cause.

Judd plays a black-widow serial murderer named Joanna, who is systematically seducing and killing men who, in one way or another, are outside the ordinary. (Among her victims is a blind mulimillionaire, played by Patrick Bergin, and a nasty loser portrayed, surprisingly, by Jason Priestley.) McGregor is on board as a British intelligence agent who happens to be following her. Referred to as "the Eye," McGregor's operative is a haunted man abandoned years before by his wife and daughter. His isolation is such that he holds imaginary conversations with the latter, and she advises him to take pity on Joanna and protect her even as she carries on with her monstrous mission.

That's precisely what he does, at a distance, ushering in comparisons to Hitchcock's classics about voyeurism an! d obsession, particularly Vertigo and Rear Window. (Allusions to Francis Coppola's The Conversation are unavoidable as well.) But despite the great material (the 1980 source novel by Marc Behm was highly praised by The New York Times) and a fascinating cast (including Geneviève Bujold and k.d. lang), Eye of the Beholder bogs down in Stephan Elliott's often thoughtless, obvious direction. Elliott (Priscilla, Queen of the Desert) grinds down several members of the cast by insisting on dreary, one-note performances, and he makes a long movie seem even longer by telegraphing story twists and other developments long before they happen. Justice would be served if one could extract Judd and McGregor's appearances here and graft them onto a better movie, but so it goes. --Tom KeoghAfter a career-stalling tangle with a fraudulent gallery owner, Art Deco expert Alexa Chambers is ready to get back in the game. But when she secretl! y consults on an exquisite collection for Arizona's luxurious ! Avalon R esorts, she doesn't know she will cross paths with enigmatic business titan J. L. Trask.

Years ago, Trask accused Alexa's stepfather of murder -- and vowed he would get revenge. Now, their meeting is inevitable -- and attraction immediate -- as they trade sizzling sparks and snappy repartee. But when a killer emerges from the shadows, these sensual sparring partners team up to solve a deadly crime from the past. Following a trail of clues to a trendy but decidedly strange New Age spa, Trask and Alexa don't need a crystal ball to see that their survival -- and their chances of bliss -- will depend on a little help from a higher power: a true and trustworthy love.Setting: Avalon, Arizona, present day
Sensuality Rating: 7

Perennial favorite Jayne Ann Krentz weaves a complicated tale of metaphysics and murder, romance and revenge, in Eye of the Beholder. J.L. Trask--"Trask" to friends and enemies alike--has returned to Avalon, Arizona, 12 years after his fath! er's mysterious death, to not only fulfill his dream of opening a world-class resort hotel but also to hunt down his father's killer. There he encounters none other than Alexa Chambers, stepdaughter of one of his father's former partners, whom Trask suspects of playing a role in the murder. Alexa is biding her time in Avalon, working tirelessly behind the scenes to regain her reputation as an expert in 20th-century antiques and art after having been framed in a forgery scandal that rocked the art world a year earlier. Alexa's best chance to redeem herself is by verifying the authenticity of the Art Deco collection at Trask's new hotel. Thrown together by the project, the two find it difficult to ignore the lasting animosity of a past encounter--not to mention the passionate heat they experience in each other's company. And as Trask grows ever closer to discovering who the true killer is, dark forces conspire against him, endangering not only his life but Alex! a's as well. Once again, Krentz combines elements of romance ! and myst ery in a winning union. --Alison TrinkleEdgar Award-winner David Ellis shifts gears to deliver a stunning new thriller where every character has a secret-and every secret has a price.

David Ellis's In the Company of Liars is an audaciously inventive thriller. In a David Ellis novel, nothing is ever what it seems, and so it is with Eye of the Beholder, a heart-pounding novel filled with dark secrets and the horrific lengths that desperate people will go to keep them.

Renowned attorney Paul Riley has built a lucrative career based on his famous prosecution of Terry Burgos, a serial killer who followed the lyrics of a violent song to gruesomely murder six girls. Now, fifteen years later, the police are confronted with a new series of murders and mutilations. Riley is the first to realize that the two cases are connected-and that the killer seems to be willing to do anything to keep him involved. As the murderer's list of victims become! s less random and more personal, Riley finds himself at the center of a police task force assigned to catch the murderer-as both an investigator and a suspect.

Driven by his own fear that he may have overlooked something crucial during the investigation years ago, Riley must sift through fifteen years of lies in order to uncover the truth-but the killer isn't the only one who wants to keep the past buried. . . .An erotic thriller with no equal, Brad Armstrong brings Eye of the Beholder to life with amazing special effects and an intriguing story. Nominated for 11 AVN Awards and winner of Best DVD from DVD Empire, Kaylani Lei is Sonya, a transplant patient who gets more than vision from her donor. Strange dreams haunt Sonya almost immediately after surgery. She is tormented with terrifying visions of her donors' death and becomes determined to solve the mystery of her sudden death. Her quest brings her face to face with chilling details of her donors demise. Will ! Sonya bring the killers to justice? It s all in the Eye of the! Beholde r.This problematic thriller boasts several inspired elements, especially intelligent, committed performances by leads Ewan McGregor and Ashley Judd, both of whom have become hot commodities. Fans should definitely investigate their incisive work here, even if McGregor and Judd's talents are ultimately cast into a lost cause.

Judd plays a black-widow serial murderer named Joanna, who is systematically seducing and killing men who, in one way or another, are outside the ordinary. (Among her victims is a blind mulimillionaire, played by Patrick Bergin, and a nasty loser portrayed, surprisingly, by Jason Priestley.) McGregor is on board as a British intelligence agent who happens to be following her. Referred to as "the Eye," McGregor's operative is a haunted man abandoned years before by his wife and daughter. His isolation is such that he holds imaginary conversations with the latter, and she advises him to take pity on Joanna and protect her even as she carries on with ! her monstrous mission.

That's precisely what he does, at a distance, ushering in comparisons to Hitchcock's classics about voyeurism and obsession, particularly Vertigo and Rear Window. (Allusions to Francis Coppola's The Conversation are unavoidable as well.) But despite the great material (the 1980 source novel by Marc Behm was highly praised by The New York Times) and a fascinating cast (including Geneviève Bujold and k.d. lang), Eye of the Beholder bogs down in Stephan Elliott's often thoughtless, obvious direction. Elliott (Priscilla, Queen of the Desert) grinds down several members of the cast by insisting on dreary, one-note performances, and he makes a long movie seem even longer by telegraphing story twists and other developments long before they happen. Justice would be served if one could extract Judd and McGregor's appearances here and graft them onto a better movie, but so it goes. --Tom Keogh

Acorn Heavy Duty Forged Absolute Zero Cube Brushed Stainless Steel Cabinet Pull (AZC-211-BRU)

• Cube Pull
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• 1" Square
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Every nightmare has a beginning. In this prequel to the cult hit Cube, one of the most successful sci-fi thrillers of the last decade, a new group of unwilling participants frantically moves through an ominous construct of cube-shaped rooms. Each room holds the threat of hideously inventive and painful death. Finding the real exit, however, may not offer the freedom one seeks.Following the grisly 1997 Cube and its 2002 sequel, Cube 2: Hypercube, Cube Zero stretches the original's The Twilight Zone-like, strangers-in-a-box theme a little thin. Fortunately, there's a difference this time. The hero is not just another disoriented captive of the Cube's interconnected--often lethal--rooms, but rather a geek named Eric (Zachary Bennett) who sits in a control stat! ion wrestling with his conscience about inflicting misery on innocent people. Taking orders over the phone from some almighty, unknown power in a distant office, Eric reaches a breaking point and enters the maze himself, intent on helping a woman (Stephanie Moore) who doubts his motives. The existential bent of the prior films becomes even more Kafkaesque this time with the arrival of a white-collar team of tormentors, bureaucratic tyrants who can't or won't explain the point of the Cube. Imaginative writer-director Ernie Barbarash rescues what might have been a tedious formula flick. --Tom KeoghCUBE 2:HYPERCUBE - DVD MovieSix ordinary strangers awaken to find themselves in a seemingly endless maze of interlocking cubical chambers armed with lethal booby traps. They have to learn to cooperate to solve the secrets of this deadley trap.
No Track Information Available
Media Type: DVD
Artist: DEBOER/GUADAGNI
Title: CUBE
Street Relea! se Date: 02/01/2005
DomesticGen re: HORRORIf Clive Barker had written an episode of The Twilight Zone, it might have looked something like Cube. A handful of strangers wake up inside a bizarre maze, having been spirited there during the night. They quickly learn that they have to navigate their way through a series of chambers if they have any hope of escape, but the problem is that there are lethal traps awaiting if they choose their route unwisely. Having established some imaginative and grisly punishments in store for the hostages, cowriter and director Vincenzo Natali turns his attention to the characters, for whom being trapped amplifies their best and worst qualities. The film is, in fact, similar to a famous episode of Rod Serling's old television series, though Natali's explanation for why these poor people are being put through hell is a lot closer to the spirit of The X-Files. Cube has some solid moments of suspense and drama, and the sets are appropriately strikin! g: one is tempted to believe at first the characters are lost inside a computer chip. --Tom KeoghFollowing the grisly 1997 Cube and its 2002 sequel, Cube 2: Hypercube, Cube Zero stretches the original's The Twilight Zone-like, strangers-in-a-box theme a little thin. Fortunately, there's a difference this time. The hero is not just another disoriented captive of the Cube's interconnected--often lethal--rooms, but rather a geek named Eric (Zachary Bennett) who sits in a control station wrestling with his conscience about inflicting misery on innocent people. Taking orders over the phone from some almighty, unknown power in a distant office, Eric reaches a breaking point and enters the maze himself, intent on helping a woman (Stephanie Moore) who doubts his motives. The existential bent of the prior films becomes even more Kafkaesque this time with the arrival of a white-collar team of tormentors, bureaucratic tyrants who can't or won't expla! in the point of the Cube. Imaginative writer-director Ernie Ba! rbarash rescues what might have been a tedious formula flick. --Tom KeoghEvery nightmare has a beginning. In this prequel to the cult hit Cube, one of the most successful sci-fi thrillers of the last decade, a new group of unwilling participants frantically moves through an ominous construct of cube-shaped rooms. Each room holds the threat of hideously inventive and painful death. Finding the real exit, however, may not offer the freedom one seeks.Following the grisly 1997 Cube and its 2002 sequel, Cube 2: Hypercube, Cube Zero stretches the original's The Twilight Zone-like, strangers-in-a-box theme a little thin. Fortunately, there's a difference this time. The hero is not just another disoriented captive of the Cube's interconnected--often lethal--rooms, but rather a geek named Eric (Zachary Bennett) who sits in a control station wrestling with his conscience about inflicting misery on innocent people. Taking orders over the phone from some alm! ighty, unknown power in a distant office, Eric reaches a breaking point and enters the maze himself, intent on helping a woman (Stephanie Moore) who doubts his motives. The existential bent of the prior films becomes even more Kafkaesque this time with the arrival of a white-collar team of tormentors, bureaucratic tyrants who can't or won't explain the point of the Cube. Imaginative writer-director Ernie Barbarash rescues what might have been a tedious formula flick. --Tom KeoghCube Pull. Brushed Stainless Steel. 1" Square

The Hills Have Eyes II Poster Movie 11x17 Daniella Alonso Michael McMillian Jessica Stroup

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Hills Have Eyes II 11 x 17 Inches Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Based on the original film by fright master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.Boasting an upgrade in production values, The Hills Have Eyes should please new-generation horror fans without offending devotees of Wes Craven's original version from 197! 7. There's still something to be said for the gritty shock value of Craven's low-budget original, made at a time when horror had been relegated to the pop-cultural ghetto, mostly below the radar of major Hollywood studios. With the box-office resurgence of horror in the new millennium--and the genre's lucrative popularity among the all-important teen demographic--it's only fitting that French director Alexandre Aja should follow up his international hit High Tension with a similarly brutal American debut to boost his Hollywood street-cred. Working with cowriter Gregory Levasseur, Aja remains surprisingly faithful to Craven's original, beginning with a bickering family that crashes their truck and trailer in the remote desert of New Mexico (actually filmed in Morocco), where they are subsequently terrorized, brutalized, and murdered by a freakish family of psychopaths, mutated by the lingering radiation from 331 nuclear bomb tests that were carried out during the 1950! s and '60s. After several killings are carried out in memorabl! y grisly fashion, it's left to the survivors to outsmart their disfigured tormentors, who are blessed with horrendous make-up (especially Robert Joy as freak leader "Lizard") but never quite as unsettling as the original film's horror icon, Michael Berryman. In Aja's hands, this newfangled Hills is all about savagery and de-evolution, reducing its characters to a state of pure, retaliatory terror. It's hardly satisfying in terms of storytelling (since there's hardly any story to tell), but as an exercise in sheer malevolence, it's undeniably effective.--Jeff ShannonThe Hills Have Eyes II reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Collateral Damage [Blu-ray]

• Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington?but how? When? Whe

ARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Lo! s Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon Studio: Warner Home Video Release Date: 06/07/2011 Run time: 351 minutesSurging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Sie! ge. Arnold Schwarzenegger plays a fireman whose wife and child! are kil led in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington…but how? When? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegge! r's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon

Hollywood Dreams

• Set in the city of angels and featuring wonderful performances by David Proval, Karen Black, Zack Norman, Melissa Leo, Keaton Simons and Sabrina Jaglom, Hollywood Dreams spins the tale of a young girl fresh off the bus from Iowa (The Astonishing Tanna Frederick), who falls in love with a sexy and promising young actor (Justin Kirk) though their relationship threatens to complicate her own obsessi

Set in the city of angels and featuring wonderful performances by David Proval, Karen Black, Zack Norman, Melissa Leo, Keaton Simons and Sabrina Jaglom, Hollywood Dreams spins the tale of a young girl fresh off the bus from Iowa (the astonishing Tanna Frederick), who falls in love with a sexy and promising young actor (Justin Kirk) though their relationship threatens to complicate her own actor (Justin Kirk) though their relationship threatens to complicate her own obsessive goal of becoming a famous! actress, the film perfectly captures the delightful and desperate lives of those chasing dreams in Hollywood: one day they are shuffling down a boardwalk with too many suitcases, and the next they are lounging in contemporary hillside homes with a view of the city. Though neither state is permanent, the more desirable one fuels the dream. The story s extraordinary execution portrays Hollywood as the fantastic and insane place that it is. Only director Henry Jaglom could capture this classic story with such a deliberate and intense style that it feels entirely new.

-Lane Kneedler, American Film Institute

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When asked to save a struggling auto dealership from bankruptcy, Jeremy Piven and his ragtag crew descend on a small California town to party and wreak havoc... and move some cars, in this outrageously funny comedy.Look out, Temecula, here comes Don Ready and his band of X-treme salesmen, rarin' to boost sales at a struggling car dealership over the course of a single hardcore weekend. That's the plan in The Goods: Live Hard, Sell Hard, a scattershot comedy featuring fast-talking Jeremy Piven as the slippery Mr. Ready, who knows how to lay on the discounts, the free food, and ! the personal appearances by bottom-tier celebrities. He and his for-hire team (Ving Rhames, David Koechner, and Kathryn Hahn) have three days to clear the lot, or the owner (a game James Brolin) will lose his business. The movie's at its funniest when going for non sequitur craziness (best exemplified by the zany-creepy vibe between Hahn and Brolin's ten-year-old son, played by Rob Riggle, whose glandular condition makes him look like a strapping 35-year-old). Good folks score in drive-by bits: Ed Helms does his best fatuous jerk, Craig Robinson glowers as a grumpy DJ, and producer Will Ferrell gets an extended cameo during which he spends much of his time falling from a plane without a parachute. (He's funny enough that you wish his role weren't confined to a flashback and a fantasy sequence.) The central role is tailor-made for Piven's skills, and he's suitably revved-up, but ultimately the movie leaves him stranded by trying to have it both ways: it can't decide whether ! it's a totally put-on sketch comedy or a more-or-less sincere ! redempti on story. That won't fly, and the movie sputters accordingly. --Robert Horton

Stills from The Goods: Live Hard, Sell Hard (Click for larger image)

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