Minggu, 27 November 2011

Girl on the Bridge

The Beautiful Truth: The World's Simplest Cure for Cancer

Dick

  • Widescreen 1.85:1, Dolby 5.1, English Language with English Subtitles
  • Director and Screenwriter Commentary
  • "Making-of" Featurette
  • Deleted Scenes * Blooper Reel * Theatrical Trailers
  • Isolated Music Soundtrack with Highlights
Two high school girls wander off during a class trip to the White House and meet President Richard Nixon.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 13-FEB-2007
Media Type: DVDSo who exactly was Deep Throat, that all-important source who helped Bob Woodward and Carl Bernstein bust open the Watergate scandal? Well, according to this thoroughly funny, keenly smart comedy from director Andrew Fleming (The Craft), it was two sweetly daft teenage girls named Betsy and Arlene. Taking the history and figures from Watergate and running gleefully and sacrilegiously amok, Dick offers up ! a hilarious what-if scenario that takes the Nixon administration's downfall from grave tragedy to hilarious farce. When Betsy (Kirsten Dunst) and Arlene (Michelle Williams) run into a shady figure in the stairwell of Arlene's Watergate apartment building, little do they know they've stumbled upon G. Gordon Liddy (Harry Shearer) on the night of the Democratic National Headquarters break-in. Later, on a White House field trip, they wind up meeting with Nixon himself (Dan Hedaya), who, to ensure their silence, decides to make them official White House dog walkers and "secret youth advisors." Of course, Betsy and Arlene soon find out their idol has feet of clay, and ultimately decide to aid "radical muckraking journalists" (and queasy rivals) Woodward (Will Ferrell) and Bernstein (Bruce McCullough) in their investigation. Fleming and cowriter Sheryl Longin's enfolding of the Watergate scandal is extremely clever and inspired, from Arlene's 18-and-a-half-minute declaration of l! ove on Nixon's tape recorder to the Hello Dolly cookies (laced! with a certain herbal stimulant) that help bring about the U.S.-Soviet accord. And after all the angsty-serious portraits of Watergate, it's bliss to see the prime players sent up mercilessly; in addition to Shearer, the cast boasts Dave Foley (Erlichman), Jim Breuer (John Dean), Saul Rubinek (Kissinger), and Ana Gasteyer (Rosemary Woods), all in fine form. Hedaya's Nixon, dead-on but never parodic, is an Oscar-worthy comic turn, and Dunst and Williams invest their characters with affection and humor; the success of the film lies in the way these talented actresses make us laugh with Betsy and Arlene, never at them. Don't be put off by the teen sheen on this comedy--it's also for all of us who still remember Watergate even after 25 years, and still love dancing on the scandal's grave. --Mark Englehart

How to Lose Friends & Alienate People : Widescreen Edition

  • Widescreen
HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine coll! eague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon Carter; by Gillian Anderson, as a take-no-prisoners publicist; and by Megan Fox, a starlet cast as a bosom-heav! ing Mother Teresa. Sidney, and the film, will win you over, wi! th a lot of laughter along the way.--A.T. HurleyUK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and not viewable on US PS3/standard Blu-Ray players. The main feature is viewable on all players however.How to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he! first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon Carter; by ! Gillian Anderson, as a take-no-prisoners publicist; and by Meg! an Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyThe movie tie-in edition of Toby Young's bestselling memoir of self-sabotage at Vanity Fair.

With a major motion picture of How to Lose Friends and Alienate People about to be released (starring Simon Pegg, Kirsten Dunst, and Jeff Bridges), there has never been a better time to savor this laugh-out-loud memoir from everyone's favorite "professional failurist." In his dishy assault on New York's A-list, How to Lose Friends and Alienate People, Toby Young lands a job at Vanity Fair--and proceeds to work his way down Manhattan's food chain.

In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?But things didn't quite go acc! ording to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." --USA Today
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?But things didn't quite go according to pla! n. Within the space of two years he was fired from Vanity F! air, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." --USA Today
dvd

The Death of Mr. Lazarescu Poster Movie French 11x17 Doru Ana Monica Dean Alina Berzunteanu

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Death of Mr. Lazarescu 11 x 17 Inches French Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
After mr. Lazarescu suffers terrible headaches he finally calls for an ambulance. Accompanied by medic mioara lazarescu begins his night-long journey through a variety of hospitals in search of proper medical care while a stressed society is laid bare and compassion and indifference clash. Studio: Genius Products Inc Release Date: 09/12/2006 Run time: 153 minutes Rating: RThe Death of Mr. Lazarescu is a sadly funny film that tells the story of an old man whom no one really knows or cares about. When he falls ill and needs medical ! treatment, he faces a team of busy doctors who are concerned because they have to be, not because they really care. Running just over 2-1/2 hours, this Romanian film allows the viewer to visualize how suffocatingly slow time must seem for Lazarescu (Ion Fiscuteanu), who isn't expecting the best treatment--just any treatment would be nice. With the exception of a conscientious paramedic, there doesn't seem to be much concern whether he lives or dies. TV viewers have been weaned on medical dramas such as ER, Chicago Hope, and House--all of which depict physicians who will go to all lengths to cure their patients. While noble and entertaining, these series probably offer less realism than The Death of Mr. Lazarescu, in which lack of funds and staff don't allow time for suitable bedside manner. No one is vilified, not even some of the hospital staff that is disgusted by the side effects of their patients' illnesses. The story is well told in a humane! and mesmerizing manner that yanks at the heartstrings while s! till eli citing a laugh or two. --Jae-Ha KimThis digital document is an article from Artforum International, published by Thomson Gale on April 1, 2006. The length of the article is 1719 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: As he lay dying: James Quandt on the Death of Mr. Lazarescu.(Movie review)
Author: James Quandt
Publication: Artforum International (Magazine/Journal)
Date: April 1, 2006
Publisher: Thomson Gale
Volume: 44 Issue: 8 Page: 81(2)

Article Type: Movie review

Distributed by Thomson GaleThis digital document is an article from Film Criticism, published ! by Allegheny College on December 22, 2010. The length of the article is 6217 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: "Lazarescu, come forth!": Cristi Puiu and the Miracle of Romanian Cinema.(The Death of Mr. Lazarescu)(Critical essay)
Author: Jeanine Teodorescu
Publication: Film Criticism (Magazine/Journal)
Date: December 22, 2010
Publisher: Allegheny College
Volume: 34 Issue: 2-3 Page: 51(16)

Article Type: Critical essay

Distributed by Gale, a part of Cengage LearningThe Death of Mr. Lazarescu reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm French Style A mini poster print

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