Senin, 14 November 2011

The Hills Have Eyes 2 (Unrated Edition)

  • Actors: Cécile Breccia, Michael Bailey Smith, Archie Kao, Jay Acovone, Jeff Kober.
  • Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround), Spanish (Dolby Digital 2.0 Surround). Subtitles: English, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Run Time: 89 minutes. Rated R.
Based on the original film by fright master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.Boasting an upgrade in production values, The Hills Have Eyes should please new-generation horror fans without offend! ing devotees of Wes Craven's original version from 1977. There's still something to be said for the gritty shock value of Craven's low-budget original, made at a time when horror had been relegated to the pop-cultural ghetto, mostly below the radar of major Hollywood studios. With the box-office resurgence of horror in the new millennium--and the genre's lucrative popularity among the all-important teen demographic--it's only fitting that French director Alexandre Aja should follow up his international hit High Tension with a similarly brutal American debut to boost his Hollywood street-cred. Working with cowriter Gregory Levasseur, Aja remains surprisingly faithful to Craven's original, beginning with a bickering family that crashes their truck and trailer in the remote desert of New Mexico (actually filmed in Morocco), where they are subsequently terrorized, brutalized, and murdered by a freakish family of psychopaths, mutated by the lingering radiation from 331 nu! clear bomb tests that were carried out during the 1950s and '6! 0s. Afte r several killings are carried out in memorably grisly fashion, it's left to the survivors to outsmart their disfigured tormentors, who are blessed with horrendous make-up (especially Robert Joy as freak leader "Lizard") but never quite as unsettling as the original film's horror icon, Michael Berryman. In Aja's hands, this newfangled Hills is all about savagery and de-evolution, reducing its characters to a state of pure, retaliatory terror. It's hardly satisfying in terms of storytelling (since there's hardly any story to tell), but as an exercise in sheer malevolence, it's undeniably effective.--Jeff ShannonNational Guard soldiers stop at a New Mexican outpost only to find the isolated camp mysteriously deserted. Little do they know that these are the very hills that the ill-fated Carter family once visited, and that a tribe of cannibalistic mutants lies in wait.

For die-hard horror fans, The Hills Have Eyes 2 is a knock-off remake/sequel that deliv! ers a few queasy thrills. While it represents a minor improvement over the 1985 sequel to Wes Craven's 1977 original (you know, the one with the notorious "canine flashback"), it's yet another cookie-cutter exercise in death by stupidity, focusing its Aliens-in-the-desert plot on a scrappy, ill-tempered unit of National Guard soldiers who've been sent to investigate the first remake's hellish aftermath in the bomb-tested wastelands of Nevada. (Like its far-superior 2006 predecessor, this sequel was shot on location in Morocco.) Unfortunately these bickering recruits are an embarrassment to their inauthentic-looking uniforms, and their reckless inexperience (not to mention a tired, uninspired screenplay by Craven and his son Jonathan) makes them easy targets for the ravenous, irradiated mutants who dwell within a treacherous network of tunnels and caves. As the generically good-looking cast is reduced to a few terrorized survivors (which somehow doesn't stop costars Jessica ! Stroup and Daniella Alonso from looking like fashion models), ! music-vi deo director Martin Weisz switches to auto-pilot in his dubious feature debut, serving up a basically plotless succession of grisly makeup FX by Howard Berger and his crack team of gore-mongers. The gross-out factor is sufficiently amusing (including one soldier pulled through a hole with one leg in the totally wrong direction), but even devoted horror connoisseurs will have to admit this is pretty lame stuff. --Jeff Shannon


Beyond The Hills Have Eyes 2


All Hills Have Eyes Movies

The Hills Have Eyes: The Beginning

Wes Craven: The Art of Horror



Stills from The Hills Have Eyes








Ghost Town (Beacon Street Girls)

  • ISBN13: 9781416964414
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Paramount Home Video Release Date: 12/26/2008Ricky Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank (Greg Kinnear). The latter, a rogue who cheated on his archaeologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous character in the orig! inal The Office, unable to complete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line between comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)











While developing a new system to maintain the town's defenses, genius student Claire Danvers discovers a way to use the vampires' powers to keep outsiders from spreading news of Morganville's "unique" situation.

But when people in town start forgetting who they are-including the vampires-Claire has to figure out how to pull the plug on her experiment before she forgets how to save herself...and Morganvill! e.Studio: Paramount Home Video Release Date: 12/26/2008Ricky ! Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank (Greg Kinnear). The latter, a rogue who cheated on his archaeologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous character in the original The Office, unable to complete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line betw! een comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)










Love, hate, family, forgiveness, redemption and sacrifice rock this small western town. Family honor is defended while the gold rush surges forward.Since moving to California from his native Germany, photographer Stephan Würth has been fascinated with the mythical vistas of the American West and the isolation and freedom of vast desert expanses. Würth culminates this geographical romance with the new series Ghost Town. These photographs narrate the tale of three women as they journey through Nevada, where they soon find themselves stranded with a broken-down car on the side of a desolate road. Shot over seven days on black-and-white Kodak Tri-X film, the images were scanned for the book from 16 x 20 inch hand-developed prints and ! never retouched. The book also features an epilogue by fashion! and cul ture critic Lesley M. M. Blume.A stage headed West with a group of passengers is attacked by Cheyenne Indians, and takes refuge in a nearby ghost town.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

This disc is expected to play back in DVD Video \"play only\" devices, and may not play in other DVD devices, including recorders and PC drives.

"A spooky and thrilling ride! Jimmy Stone's Ghost Town will have you on the edge of your seat." - Lauren Barnholdt, best-selling author of THE SECRET IDENTITY OF DEVON DELANEY and RULES FOR SECRET KEEPING

"Jimmy Stone's Ghost Town will captivate everyone from middle grade readers to adults who never forgot the thrill of a good ghost story." - Eileen Cook, author of THE EDUCATION OF HAILEY KENDRICK and GETTING REVENGE ON LAUREN WOOD

"This spooky tale is told with Scott Neumyer's trademark wit and insight. Ghost towns are fr! aught with danger, but Neumyer makes them irresistibly appealing with the help of Jimmy Stone." - Lara Zielin, author of DONUT DAYS and THE IMPLOSION OF AGGIE WINCHESTER

"Scott Neumyer's debut novel, 'Jimmy Stone's Ghost Town,' is rife with the gifts of a natural storyteller, one who pulls the reader in seamlessly--and, more critical, without ever showing his hand. The book is a best-seller for a reason--it's beautifully written, you connect with the complex characters, you're charged by the imagination, fueled by the energy. That the book is poised for a sequel is just another reason to get excited for the world this 'Town' is only on the cusp of exploring." - Christopher Smith, author of the best-selling thriller, FIFTH AVENUE

Jimmy Stone's Ghost Town
* A Fantastical Mystery for Young Readers *

For Jimmy Stone, life in "Boredsylvania" has been pretty tough. His mom's died, his dad's completely checked out, and he spends his days ru! nning from the Coogan Boys, the local bullies. It isn't long, ! however, before "Boredsylvania" gets a lot more exciting. With his new friend, David and his dog, Trex, by his side, Jimmy discovers that the woods beyond his backyard hold the key to a world he could never even imagine. Soon, he ends up in Ghost Town, where he’s greeted by his ghost guide, Gasp, and receives an ominous prophecy.

“Seven things you must find.
One thing for each day.
Seven things you must find.
Or else they all will pay!

Suddenly Ghost Town becomes as scary as it sounds, and Jimmy Stone realizes that he's in way over his head."A spooky and thrilling ride! Jimmy Stone's Ghost Town will have you on the edge of your seat." - Lauren Barnholdt, best-selling author of THE SECRET IDENTITY OF DEVON DELANEY and RULES FOR SECRET KEEPING

"Jimmy Stone's Ghost Town will captivate everyone from middle grade readers to adults who never forgot the thrill of a good ghost story." - Eileen Cook, author of THE EDUCATION OF HAILEY KENDR! ICK and GETTING REVENGE ON LAUREN WOOD

"This spooky tale is told with Scott Neumyer's trademark wit and insight. Ghost towns are fraught with danger, but Neumyer makes them irresistibly appealing with the help of Jimmy Stone." - Lara Zielin, author of DONUT DAYS and THE IMPLOSION OF AGGIE WINCHESTER

"Scott Neumyer's debut novel, 'Jimmy Stone's Ghost Town,' is rife with the gifts of a natural storyteller, one who pulls the reader in seamlessly--and, more critical, without ever showing his hand. The book is a best-seller for a reason--it's beautifully written, you connect with the complex characters, you're charged by the imagination, fueled by the energy. That the book is poised for a sequel is just another reason to get excited for the world this 'Town' is only on the cusp of exploring." - Christopher Smith, author of the best-selling thriller, FIFTH AVENUE

Jimmy Stone's Ghost Town
* A Fantastical Mystery for Young Readers *

For Jimmy Stone! , life in "Boredsylvania" has been pretty tough. His mom's die! d, his d ad's completely checked out, and he spends his days running from the Coogan Boys, the local bullies. It isn't long, however, before "Boredsylvania" gets a lot more exciting. With his new friend, David and his dog, Trex, by his side, Jimmy discovers that the woods beyond his backyard hold the key to a world he could never even imagine. Soon, he ends up in Ghost Town, where he’s greeted by his ghost guide, Gasp, and receives an ominous prophecy.

“Seven things you must find.
One thing for each day.
Seven things you must find.
Or else they all will pay!

Suddenly Ghost Town becomes as scary as it sounds, and Jimmy Stone realizes that he's in way over his head.Thanks to Charlotte's travel-writer dad, the Beacon Street Girls are headed to a luxe resort in Montana. But when their dream vacation turns into a snowy nightmare, the BFFs are split up. While Katani and Isabel enjoy room service and hanging out with country music superstar twins Nik and Sam,! Charlotte, Maeve, and Avery are stranded with Mr. Ramsey in a haunted old ghost town.

Whether snowboarding and chilling with celebrities or solving an old-fashioned mystery with ghosts, wolves, and romance, the BSG find fun and adventure in the Wild West.

Battlefield 3 - Limited Edition

  • Rare Limited Edition with Back to Karkland Expansion Pack, featuring 4 classic maps, 3 new vehicles, and new weapons. Winner of best action game and best online multiplayer - E3 Game Critics 2011
  • Battlefield 3 introduces Frostbite 2, the incredible technology that takes animation, destruction, lighting, scale and audio to new heights. Built upon this powerful game engine, Battlefield 3 immerses players physically and emotionally to the world.
  • Feel the impact of bullets and explosions and mount your weapon on almost any part of the terrain. Battlefield 3's cutting edge animation, spectacular visuals and real as hell battle gameplay attack your senses.
  • Unparalleled Vehicle Warfare. The best online vehicle warfare experience gets even better with a fitting sonic boom as fighter jets headline impressive lineup of land, air and sea vehicles
  • Urban Combat. Take the fight to ic! onic and unexpected places in the USA, Middle East, and Europe including claustrophobic streets, metropolitan downtowns, and open, vehicle-friendly landscapes as you fight your way through the war of tomorrow.
A new take on the Hong Kong action classic that launched Chow Yun Fat to international stardom, director Song Hae-seong's remake of A Better Tomorrow features an all-star class including Seung-heon Song, Kang-woo Kim, and Jin-mo Ju. In the treacherous world of the black-market weapons trade, honor and vengeance go hand in hand. Adapted from writer/director John Woo's original screenplay.

Is your hand up?

Make Me a Legend predicts the rise of an emergent legend tribe. More than a prediction, it’s a “save the world” manual for todayâ€"and the invitation of lifet! ime!

If you knew your life was almost over, would you draft a farewell to your beloved survivors? Although the author’s time isn’t almost over, he chose to write a farewell message to those he lovesâ€"his family and you.

He studied people’s dreams and forecasted their biggest obstacles, and then sealed his imperative lessons in Make Me a Legend. If you follow Chuck’s fearless lead, you will dream bigger, live bolder, and make a large and lasting differenceâ€"your legendary life will echo in eternity, whether your days are few or many!

In this “save the world” manual, you will become empowered beyond your wildest expectations as you learn to:

  • Clarify your God-sized dream.
  • Build your extravagant foundation.
  • Attract the right mentor! s, peers, and apprentices.
  • Be! come und omesticated, wild, and free to live at the highest level!

Now you can be a legend in your own family, community, and nation. You can live and be remembered as a selfless, sacrificing, and legacy-driven generation. You can grant your dearly loved survivors a new world that is remarkably preserved in a spirit of innocence and free of godlessness, immorality, and ruin. It’s very nice to meet you, welcome to the tribe and the great adventure!

If you knew your life was almost over, would you draft a farewell to your beloved survivors? Although the author’s time isn’t almost over, he chose to write a farewell message to those he lovesâ€"his family and you.
 
He studied people’s dreams and forecasted their biggest obstacles, and then sealed his imperative lessons in Make Me a Legend. If you follow Chuck’s fearless lead, you will dream bigger, live bolder, and make a ! large and lasting differenceâ€"your legendary life will echo in eternity, whether your days are few or many!
 
In this “save the world” manual, you will become empowered beyond your wildest expectations as you learn to:
  • Clarify your God-sized dream.
  • Build your extravagant foundation.
  • Attract the right mentors, peers, and apprentices.
  • Become undomesticated, wild, and free to live at the highest level!
 
Now you can be a legend in your own family, community, and nation. You can live and be remembered as a selfless, sacrificing, and legacy-driven generation. You can grant your survivors a new world that is remarkably preserved in a spirit of innocence and free of godlessness, immorality, and ruin. It’s very nice to meet you, welcome to the tribe and the great adventure!
If you knew your life was almost ove! r, would you draft a farewell to your beloved survivors? Altho! ugh the author’s time isn’t almost over, he chose to write a farewell message to those he lovesâ€"his family and you.
 
He studied people’s dreams and forecasted their biggest obstacles, and then sealed his imperative lessons in Make Me a Legend. If you follow Chuck’s fearless lead, you will dream bigger, live bolder, and make a large and lasting differenceâ€"your legendary life will echo in eternity, whether your days are few or many!
 
In this “save the world” manual, you will become empowered beyond your wildest expectations as you learn to:
  • Clarify your God-sized dream.
  • Build your extravagant foundation.
  • Attract the right mentors, peers, and apprentices.
  • Become undomesticated, wild, and free to live at the highest level!
 
Now you can be a legend in your own family, community, and nation. You can live ! and be remembered as a selfless, sacrificing, and legacy-driven generation. You can grant your survivors a new world that is remarkably preserved in a spirit of innocence and free of godlessness, immorality, and ruin. It’s very nice to meet you, welcome to the tribe and the great adventure!
Electronic Arts Inc. Battlefield 3 - Complete Product 19592 PC Games

After.Life

  • AFTER.LIFE (DVD MOVIE)
A young woman caught between life and death.. And a funeral director who appears to have the gift of transitioning the dead but might just be intent on burying her alive. Studio: Tcfhe/anchor Bay/starz Release Date: 08/03/2010 Starring: Christina Ricci Liam Neeson Run time: 104 minutes Rating: R Director: Agnieszka Wojtowicz-voslooQuite a few folks in the movies have seen dead people, especially since The Sixth Sense, but After.Life gives this by-now-familiar conceit an intriguing spin. As director-cowriter Agnieszka Wojtowicz-Vosloo's 2009 film would have it, the deceased aren't exactly dead. At least not yet; in the days between whatever killed them and the moment they're put in a box and lowered six feet under, they're caught in some kind of purgatory, no longer alive but still able to move and communicate. Not to everyone, of course; only Eliot D! eacon (Liam Neeson) has the ability, be it a gift or a curse, to converse with these infernal travelers as he readies them for their final rest in the basement of his funeral home. That's where he meets Anna Taylor (Christina Ricci), who died in a car crash following a nasty argument with her boyfriend, Paul (Justin Long). Anna, not surprisingly, is in denial. How can she be dead, when she can still walk, talk, and experience emotions? Well, it's complicated, but Eliot's there to help her sort it all out--that is, unless he's up to something considerably more sinister, a question that remains in doubt even at the very end. After.Life has a cool concept, a good look, an ominous vibe (driven by former Tangerine Dream member Paul Haslinger's relentlessly spacy, downbeat musical score), and some fine performances. But movies like this depend on the rules and boundaries the filmmakers establish. In The Sixth Sense, those rules ("dead people don't know they're dead,! " etc.) are simple and consistent. Here they're a bit more con! fusing. How can the deceased wield a knife, open a locked door, or even make a phone call? If Anna is dead, why can she still see her breath on a windowpane? The willingness to accept such things may well affect one's appreciation of this very absorbing film. --Sam Graham

The Bang-Bang Club, movie tie-in: Snapshots From a Hidden War

  • ISBN13: 9780465019786
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A gripping story of four remarkable young menâ€"photographers, friends and rivalsâ€"who band together for protection in the final, violent days of white rule in South Africa.

Most people, upon hearing gunfire, would run away and hide. Conflict photojournalists have the opposite reaction: they actually look for trouble, and when they find it, get as close as possible and stand up to get the best shot. This thirst for the shot and the seeming nonchalance to the risks entailed earned Greg Marinovich, Joao Silva, Ken Oosterbroek, and Kevin Carter the moniker of the Bang-Bang Club. Oosterbroek was killed in township violence just days before South Africa's historic panracial elections. Cart! er, whose picture of a Sudanese child apparently being stalked by a vulture won him a Pulitzer Prize, killed himself shortly afterwards. Another of their posse, Gary Bernard, who had held Oosterbroek as he died, also committed suicide.

The Bang-Bang Club is a memoir of a time of rivalry, comradeship, machismo, and exhilaration experienced by a band of young South African photographers as they documented their country's transition to democracy. We forget too easily the political and ethnic violence that wracked South Africa as apartheid died a slow, spasmodic death. Supporters of the ANC and Inkatha fought bloody battles every day. The white security forces were complicit in fomenting and enabling some of the worst violence. All the while, the Bang-Bang Club took pictures. And while they did, they were faced with the moral dilemma of how far they should go in pursuit of an image, and whether there was a point at which they should stop their shooting and try to i! ntervene.

This is a riveting and appalling book. It is ! simply w ritten--these guys are photographers, not writers--but extremely engaging. They were adrenaline junkies who partied hard and prized the shot above all else. None of them was a hero; these men come across as overweeningly ambitious, egotistical, reckless, and selfish, though also brave and even principled. As South Africans, they were all invested in their country's future, even though, as whites, they were strangers in their own land as they covered the Hostel wars in the black townships. The mixture of the romantic appeal of the war correspondent with honest assessments of their personal failings is part of what makes this account so compelling and so singular among books of its ilk. --J. Riches

Dr. T and the Women

  • 100% pre-shrunk cotton
  • Wash warm; dry low
  • Imported
  • Listed in junior sizes
  • By Ripple Junction
Dr. Sullivan Travis, a successful Dallas gynecologist, finds his life disrupted by the women in his life; his wife suffers a nervous breakdown, his eldest daughter plans to marry despite being a lesbian, his youngest daughter is a conspiracy freak, his se
Genre: Feature Film-Comedy
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDLoose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Ka! te Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel protection, and Gere pe! rfectly captures this sweet yet condescending blind spot. -! -Bruce R eidIn director Robert Altman's star-studded new ensemble comedy, Richard Gere is a frantically overworked, socially in-demand gynecologist whose life is coming apart at the seams. His wife (Farrah Fawcett) has regressed into a childlike state, while one daughter (Tara Reid) is raising suspicions about the relationship between his soon-to-be-married other daughter (Kate Hudson) and her maid of honor (Liv Tyler). Meanwhile, just as his champagne-loving sister-in-law (Laura Dern) arrives with three nieces in tow, the doctor falls for the sexy new golf pro (Helen Hunt). As complications mount, the good doctor's life rapidly approaches the force of a Texas tornado!Loose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, ! his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarel! y on his own inability to see that women don't need his gentee! l protec tion, and Gere perfectly captures this sweet yet condescending blind spot. --Bruce ReidThis fitted tee features the one and only Dr. Frank-N-Furter from The Rocky Horror Picture Show.

Black Cat , White Cat [Import ,All Regions, English Subtitles]

Job One: Experiences of New Professionals in Student Affairs (American College Personnel Association Series)

  • ISBN13: 9780761827849
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
FOREIGN AGENTS analyzes the history and activities of the American Israel Public Affairs Committee, or AIPAC. FOREIGN AGENTS begins with testimony and subpoenaed documents from the 1963 Senate investigation into the activities of the agents of foreign principals. Senator J.W. Fulbright's discovery of "conduit" money-laundering operations in the US financed by Israeli principals touched off deep and important questions about US lobbying on behalf of the fledgling nation and the applicability of laws such as the Foreign Agents Registration Act and the Logan Act. The book then uncovers AIPAC election law skirmishes in the 1980s-1990s, analyzing the lobby's role in establishing and coordinating political a! ction committees and AIPAC's role in alleged election law violations. FOREIGN AGENTS then turns to the question of espionage. In 2005, two AIPAC executives, Steven J. Rosen and Keith Weissman, were criminally indicted for violating the 1917 Espionage Act. FOREIGN AGENTS reviews behind-the-scenes defense team motions and judicial decisions affecting First Amendment freedom of speech issues and questions about "inside the Beltway" trafficking in classified US defense information by lobbies. FOREIGN AGENTS evaluates Rosen and Weissman's assertions that the conduct alleged in the indictment was within the scope of their employment with AIPAC and was undertaken for AIPAC's benefit. FOREIGN AGENTS then makes comprehensive recommendations for legal oversight in the context of AIPAC's history as a powerful and secretive foreign agent for Israel.WINNER OF THE LOUIS BROWNLOW BOOK AWARD!

The massive bureaucratic reorganization under the Department of Homeland Security was ! a response to the system-wide coordination problems brought to! light o n 9/11. Better planning, new leadership, and far-reaching reform were to demonstrate that the U.S. had learned its lessons well, that it would be prepared for the next attack or disaster. But the catastrophic response to Hurricane Katrina unequivocally showed how this restructuring has not brought about the kinds of long term policy changes that are necessary to deal effectively and efficiently with threats--whether manmade or natural.

Is the system permanently broken? Should FEMA be removed from DHS or abolished altogether? Donald Kettl, in this thoroughly updated second edition, takes a hard look at the most recent stress on the system. He explores how the 9/11 Commission forever changed public discourse on the topic as well as discusses the ways in which FEMA might be reformed. The country faces solvable problems, he argues, yet is in dire need of new leadership at every level. In his brief, gripping narrative, Kettl assesses how well the U.S. political system responds! under extraordinary pressure and asks if the focus will continue to be on fighting the last war. There is small chance the catastrophe that lies ahead will replicate the last one. Is the government ready to face that next challenge?In Job One, editors Peter Magolda and Jill Carnaghi place new professionals' stories "center stage." The book focuses on nine narratives written by new professionals about their introduction and transitions into Student Affairs work. These stories document the joys and angst felt as new professionals prepare to transition from graduate school-to-work, search for their first Student Affairs position, assimilate campus norms, formulate a professional identity, satisfy supervisors' expectations, mediate cultural conflicts, and remain true to their personal and professional values. This book is a useful resource inviting new professionals, supervisors, and faculty to think differently about the on-going education and needs of new professional! s, while offering a new perspective for optimizing new profess! ionals' experiences. Co-published with American College Personnel Association.

A Good Day to be Black & Sexy