Selasa, 29 November 2011

Drop Dead Gorgeous

  • A mockumentary about a vicious competition between two contestants in a rural Minnesota beauty pageant. While the two girls prepare for the contest, their mothers (an overbearing hairdresser and a civic-minded matriarch) decide they will stop at nothing to help each one's respective child win the contest.Running Time: 98 min. System Requirements: Starring: Kirstie Alley, Ellen Barkin, Kirsten
The sarah rose cosmetics miss teen princess america pageant is a beauty contest to die for. And thats exactly what the contestants in mount rose minnesota are doing in this hilarious satire of all-american competition. Special features: animated and interactive menus cast and crew filmographies and more. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Kirstie Alley Kirsten Dunst Run time: 98 minutes Rating: Pg13 Director: Michael Patrick JannSubtle is not the word to describe Drop! Dead Gorgeous, a mock documentary purporting to cover the Sarah Rose Cosmetics Teen America Beauty Pageant in Mount Rose, Minnesota. Ellen Barkin (Sea of Love) and Kirsten Dunst (Interview with a Vampire, Dick) are perfectly cast as a mother and daughter whose only ambition is to use the pageant to get out of their claustrophobic small-town lives. Opposing them are Denise Richards (Wild Things, Starship Troopers) and her mother, Kirstie Alley (Look Who's Talking), who just happens to be the pageant's organizer. The plot, which centers on contestants being murdered (mostly by flaming explosions), is clearly secondary to the backstage shenanigans and satirical portrayals of vanity, small-town corruption, and family dysfunction. There's not much suspense to the pageant itself, but Dunst is an endearing protagonist and along with the broad jokes are some excellent acting turns from the cast, particularly Barkin, Brittany Murphy (Clueless), Nora Dunn (a Saturday Night Live alumna! ), and t he great character actress Allison Janney, who's played small roles in countless movies but finally gets a chance to shine as the supportive neighbor of Barkin and Dunst. In fact, for all the jokes and satirical jabs, in the end it's the characters' relationships that stay in your mind. A bonus: the soundtrack features a hard-rocking version of the theme from The Mary Tyler Moore Show, performed with cool aplomb by Joan Jett and the Blackhearts. --Bret Fetzer

The Best of Dudley Do-Right, Vol. 1

  • DoRight always does right somehow! He's back! The only Mountie ever to arrest a redwood tree . for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his
Follow the hilarious exploits of the dedicated but hapless young Mountie as he struggles to outwit the evil Snidely Whiplash.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 6-JAN-2004
Media Type: DVDBrendan Fraser (George of the Jungle, The Mummy) brings his considerable charm to this awkward live-action version of the classic cartoon Dudley Do-Right. The first half of the movie lays out the basic elements of the cartoon (none-too-bright Canadian ! Mountie battles melodrama villain Snidely Whiplash with pluck and dumb luck) with little wit or imagination, but lots of pratfalls and broad gags. But about halfway into it, when Whiplash has taken over the town of Semi-Happy Falls and become its leading citizen, the movie takes a curious turn: Since Whiplash has become, to all appearances, a good guy, Dudley decides the only way to fight him is to turn into a bad guy. Next thing you know, Dudley is decked out in black leather and cruising around on a motorbike while Whiplash fumes impotently. Bullwinkle fans may decry this departure, but it gives the movie a much-needed burst of energy and the opportunity for some entertainingly surreal images--like Whiplash up to his neck in a mudbath with cucumber slices on his eyes, consulting with his henchmen about dealing with that unpredictable Do-Right. With Alfred Molina, Sarah Jessica Parker, and Monty Python's Eric Idle. --Bret FetzerDoRight always does righ! t somehow! He's back! The only Mountie ever to arrest a redwo! od tree ... for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his pathetic allergy in "Marigolds"! Each cartoon pits him against that nefarious ne'erdowell Snidely Whiplash! Wittily written and voiced, these timeless classics are a fond salute to oldtime melodrama and remain some of the funniest cartoons ever made.

Hilary and Jackie Poster 27x40 Emily Watson Rachel Griffiths James Frain

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Hilary and Jackie Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
HILARY AND JACKIE - DVD MovieIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt! on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebullient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an e! xceptional, rare film that is defined and graced by fine actin! g and wr iting. --Paula NechakFrom the moment Jacqueline du Pré first held a cello at the age of five, it was clear she had an extraordinary gift. At sixteen, when she made her professional debut, she was hailed as one of the world's most talented and exciting musicians. But ten years later, she stopped playing virtually overnight, when multiple sclerosis removed the feeling in her hands just before a concert. It took fourteen more years for the crippling disease to take its final toll.

In this uniquely revealing biography, Hilary and Piers du Pré have re-created the life they shared with their sister in astonishing personal detail, unveiling the private world behind the public face. With warmth and candor they recount Jackie's blissful love of the cello, her marriage to the conductor Daniel Barenboim, her compulsions, her suffering, and, above all, the price exacted by her talent on the whole family. For proud as they were of Jackie's enormous success, none of them w! as prepared for the profound impact her genius would have on each of their lives. . . .Jacqueline du Pré saw the outlines of her short, brilliant, and tragic life when she was still very young. The first time she heard a cello (she was 4 years old), she said, "Mummy, I want to make that sound." She got a cello for her 5th birthday and made her professional debut at age 16. She went on to become one of the century's most amazing musicians for 10 years. Then her career was ended by multiple sclerosis. She seems to have foreseen that crippling illness, which killed her at age 42 after years of slow deterioration. She was 9 years old when she confided in her sister, Hilary (who coauthored this biography with their brother, Piers), "Don't tell Mum, but... when I grow up, I won't be able to walk or move." Before she was stricken down, Jacqueline du Pré led a life of unusual richness and complexity. Here that life is examined by her siblings in loving but realistic ! terms, including the flaws and conflicts as well as the achie! vements.

The biography formed the basis for the 1998 film starring Emily Watson. It is a sad chronicle of the pitiless disease that twisted Jackie's personality and sanity as well as her body, but also a joyful book about music, the tenderness and rivalries of family life, and above all a singular, tormented, but buoyant personality. --Joe McLellan It earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebu! llient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula ! NechakAs might be expected, the soundtrack to Hilary an! d Jackie plays a highly prominent role in this film about the emotionally fraught relationship between two gifted sisters, one of whom is the brilliant cellist Jacqueline Du Pré. Certainly composer Barrington Pheloung--whose credits include the Inspector Morse series and the evocative score to Truly, Madly, Deeply--faced a heady challenge in writing music to be heard alongside Du Pré's rhapsodic, signature interpretation of the Edward Elgar Cello Concerto, not to mention other classical selections. Even so, the resonantly autumnal, neo-Romantic flavor of his score aptly mirrors the narrative's flashback-oriented technique. His insistence on the cello's urgent high register (played by soloist Caroline Dale) creates a poignant musical portrait of its tragically stricken protagonist. Most of the CD, however, is given to the entire Elgar concerto--an especially effective choice as against the usual potpourri of classical snippets. This charged, elegiac, and ea! sily accessible work--Elgar's own valedictory composition for orchestra--becomes a sort of musical metaphor for Du Pré's emotional journey and gains from being heard in its full context. While the performance featured here is conducted by husband Daniel Barenboim, you'll probably be inspired to try Du Pré's never-bettered version of the Elgar on EMI with John Barbirolli. --Thomas MayIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't ! let that deter you from this ebullient movie experience. The ! film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula NechakAddresses issues of concern ! in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Addresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Hilary and Jackie reproduction poster print

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Blue Tooth Virgin

  • BLUE TOOTH VIRGIN, THE (DVD MOVIE)
When David, a magazine editor, gives his best friend’s latest screenplay a negative review, he hilariously learns that sometimes the truth isn’t always the best policy. Starring Bryce Johnson, Amber Benson, Karen Black and Roma MaffiaA writer asks a writer friend for his honest, truthful, no-holds-barred opinion on a newly-completely screenplay. This can only end badly. The Bluetooth Virgin is the concentrated tale of this dire situation, rolled out in a series of discrete scenes that (appropriately enough for a movie about writing) highlight the word above all else. Sam (Austin Peck) is the author looking for feedback, and David (Bryce Johnson) is his pal, a magazine editor; the script in question has the frankly terrible title of The Bluetooth Virgin. One high point comes early, on the golf course, as David's initial encouraging reactions to the piece ! gradually give way to admitting that, well, the script had a lot of problems. Primarily a batch of two-person dialogues, the movie also gets boosts from Lauren Stamile and a formidable Karen Black. Writer-director Russell Brown arranges the movie around the Mamet-esque exchanges of his characters, who are generally not really wanting the thing they say they're wanting. This sort of assertively "written" dialogue can be exciting to listen to, especially in an age that values a lax naturalism in movie dialogue, and Brown has a fine ear for self-delusion. The danger in such an approach, and Brown doesn't elude it, is that such a movie can feel like a self-contained system, without room for breath or uncertainty. But it's an undeniably clever system. --Robert Horton

Beyond the Sea

  • TESTED
An English socialite gives up her luxurious lifestyle when she falls in love with a doctor and follows him to Africa, to help those suffering in poverty.
Genre: Feature Film-Drama
Rating: R
Release Date: 20-DEC-2005
Media Type: DVDRomantic adventure, marital crisis, and the tragedy of global hunger are combined with mixed but respectable results in Beyond Borders, starring Angelina Jolie in a role that reflects her off-screen efforts as a United Nations goodwill ambassador. Jolie plays a naive American socialite, unhappily married and living in London, whose life is revolutionized when a passionate doctor (Clive Owen, replacing original costar Kevin Costner) draws her into the cause of humanitarian aid in the world's most dangerous political hot-spots including Ethiopia, Cambodia (where Jolie adopted her first child), and Chechnya in the 1! 980s and '90s. Directed by Martin (Goldeneye) Campbell, who replaced Oliver Stone during troubled pre-production, this well-meaning film suffers from schizophrenic priorities: Is it a globetrotting love story? An impassioned political exposé? Powerful scenes and fine performances can't entirely offset the film's identity crisis, and the ending strives for a quality of martyrdom that it doesn't really earn. --Jeff ShannonWHILE ATTENDING A FUNDRAISING GALA, SARAH, A NAIVE, MARRIED AMERICAN SOCIALITE LIVING IN ENGLAND, WITNESSES A FIERY PLEADELIVERED BY DR NICK CALLAHAN. HIS PLEA MADE ON BEHALF OG IMPOVERISHED AFRICAN CHILDREN UNDER HIS CARE, TURNS HER LIFEUPSIDE DOWN. SHE ABANDONS HER LIFE TO WORK ALONGSIDE HIM.Romantic adventure, marital crisis, and the tragedy of global hunger are combined with mixed but respectable results in Beyond Borders, starring Angelina Jolie in a role that reflects her off-screen efforts as a United Nations goodwill ambassador.! Jolie plays a naive American socialite, unhappily married and! living in London, whose life is revolutionized when a passionate doctor (Clive Owen, replacing original costar Kevin Costner) draws her into the cause of humanitarian aid in the world's most dangerous political hot-spots including Ethiopia, Cambodia (where Jolie adopted her first child), and Chechnya in the 1980s and '90s. Directed by Martin (Goldeneye) Campbell, who replaced Oliver Stone during troubled pre-production, this well-meaning film suffers from schizophrenic priorities: Is it a globetrotting love story? An impassioned political exposé? Powerful scenes and fine performances can't entirely offset the film's identity crisis, and the ending strives for a quality of martyrdom that it doesn't really earn. --Jeff Shannon
Featuring readings from today's leading scholars, activists and policymakers, Beyond Borders helps today's college students navigate our increasingly globalized world and think critically about their place in it. This powerful col! lection encourages students to not only understand the global realities we are faced with today but also the history that gave rise to them.  In addition to introducing students to the major forces of globalization, the significant treaties and events, and the organizations involved, Beyond Borders challenges students to shift and broaden their perspective by examining the experiences of people across the globe.   In classic Rothenberg style, in-depth part introductions provide a conceptual framework for understanding the issues at hand and "Questions for Thinking, Writing, and Discussion" at the conclusion of each part challenge students to think deeper about the issues presented.
Romantic adventure, marital crisis, and the tragedy of global hunger are combined with mixed but respectable results in Beyond Borders, starring Angelina Jolie in a role that reflects her off-screen efforts as a United Nations goodwill ambassador. Jolie plays a naive A! merican socialite, unhappily married and living in London, who! se life is revolutionized when a passionate doctor (Clive Owen, replacing original costar Kevin Costner) draws her into the cause of humanitarian aid in the world's most dangerous political hot-spots including Ethiopia, Cambodia (where Jolie adopted her first child), and Chechnya in the 1980s and '90s. Directed by Martin (Goldeneye) Campbell, who replaced Oliver Stone during troubled pre-production, this well-meaning film suffers from schizophrenic priorities: Is it a globetrotting love story? An impassioned political exposé? Powerful scenes and fine performances can't entirely offset the film's identity crisis, and the ending strives for a quality of martyrdom that it doesn't really earn. --Jeff ShannonRomantic adventure, marital crisis, and the tragedy of global hunger are combined with mixed but respectable results in Beyond Borders, starring Angelina Jolie in a role that reflects her off-screen efforts as a United Nations goodwill ambassador. Jolie plays a ! naive American socialite, unhappily married and living in London, whose life is revolutionized when a passionate doctor (Clive Owen, replacing original costar Kevin Costner) draws her into the cause of humanitarian aid in the world's most dangerous political hot-spots including Ethiopia, Cambodia (where Jolie adopted her first child), and Chechnya in the 1980s and '90s. Directed by Martin (Goldeneye) Campbell, who replaced Oliver Stone during troubled pre-production, this well-meaning film suffers from schizophrenic priorities: Is it a globetrotting love story? An impassioned political exposé? Powerful scenes and fine performances can't entirely offset the film's identity crisis, and the ending strives for a quality of martyrdom that it doesn't really earn. --Jeff ShannonOne of America’s greatest performers, Bobby Darin lived a rags-to-riches life. He worked his way from shady nightclubs to his dream destination, The Copacabana, where he wowed crowds with ! "Splish Splash," "Mack the Knife" and other hits. He was a ma! rvel at singing, songwriting and performing â€" stealing the hearts of fans everywhere despite the suffering in his own hear.The chameleon-like actor Kevin Spacey is best known for playing pyschopaths (in Seven and The Usual Suspects) and capturing a creepy mid-life crisis in American Beauty--but surprisingly, playing crooner Bobby Darin, Spacey does some snappy dancing and top-notch singing. Beyond the Sea puts Darin's life through a bit of a kaleidoscope: While singing Darin's most memorable hit, "Mack the Knife," Darin suddenly stops the show, revealing that he's not at a nightclub, but in the middle of a shooting a scene about his life as a nightclub performer. Why has he stopped? Because he's just seen himself as a young boy, peering from behind a curtain. Such self-conscious narrative twists recur throughout the movie, turning Darin's fight for fame and respect into a love story between his adult and childhood selves. Sandra Dee (Kate Bosworth, W! in a Date with Tad Hamilton!), a hugely popular movie star in her own right, was supposedly the love of Darin's life, but she never holds his attention as does his childhood self (played by newcomer William Ullrich). It's a striking metaphor for the narcissism that drives such success-hungry entertainers. But despite (or perhaps because of) the complexity of the telling, the events never grip your emotions; though Darin's life featured hits galore and a few soap opera twists, his story lacks the seductive charm of his nighclub show. Also featuring Bob Hoskins, John Goodman, Brenda Blethyn, and Greta Scacchi. --Bret Fetzer

The Gospel According to Coco Chanel: Life Lessons from the World's Most Elegant Woman

Donkey Punch [Unrated]

Martin BMD610 Chrome Socket, 3/8 " Square Drive, 6 Point, Deep, 10 mm type I opening, 58 " drive end, 916 " opening end, 1564 " min. depth, Metric

  • Made in U.S.A
A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you around." --Newsweek

"A drama with the tension of a thriller that moves deeply! into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publis! hing and movie rights sold fast on this one: It's a blockbust! er.SKT,3 /8,6PT,DP,10MM